Top Posts & Pages
- Movie Review: Kathie Lee and Craig, together again, "Then Came You"
- Documentary Review: The Unholy Evangelicals/Israeli alliance donating and agitating "'Til Kingdom Come"
- Documentary Review -- "Billie Eilish: The World's a Little Blurry"
- Netflixable? A child's migration odyssey -- "Adu'"
- Documentary Review -- "Time Warp: The Greatest Cult Films of All Time"
- Movie Review: Tom Holland, a medic turned addict/bank-robber -- "Cherry"
- Movie Review: "Hot for teacher" is no longer "cute in "Scarborough," or anywhere else
- Movie Review: Another Autistic Child is Haunted -- "Noise in the Middle"
- Movie Review: "Tom & Jerry" terrorize NYC
- Documentary Review: Meditating meetings with E.T. -- "Close Encounters of the Fifth Kind"
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Daily Archives: April 11, 2020
Georgian Scott Teems, who first gained notice with the Faulkneresque Southern Gothic “That Evening Sun,” gives the genre a Hispano-Southern Gothic updating with “The Quarry,” a dark and blood-stained morality tale set in remote, rural “Reconquista”Texas. The script, … Continue reading
Forget the “Parks & Rec” and “Master of None” credits on “Tigertail” writer-director Alan Yang’s resume. Don’t put too much stock in the more downbeat and thoughtful “Forever,” either. With this short but plays VERY long Netflix drama, he takes … Continue reading
The greatest pleasure in the films of Hirozaku Kore-eda is the way they unfold, or rather unwrap. The films — “Shoplifters” is the most famous in the West, but “Our Little Sister” and “Like Father, Like Son” have also reached … Continue reading