Author Archives: rogerinorlando

Considering what they did to “Lion King” and “Aladdin,” let’s keep our expectations low. Looks pretty though. War, real spectacle. China will be pleased, and come next year, we might be too.

Here’s a well-intentioned World War I quickie designed to steal a smidgen of the thunder of the Oscar-contender, “1917,” which debuts Christmas Day in some of the country. “The Great War” is about racism in the segregated American Expeditionary Forces … Continue reading →

    Here’s a straight-up mob moll hides out with a hitman thriller, with a few Latin American twists. “En Brazos de un Asesino” (In the Arms of an Assassin) is a Dominican production, set in Mexico, about a young … Continue reading →

Not everything is better in French, even though it sometimes feels that way in movies. “Let’s Dance” is a light, artsy and sweet French variation on “dance battle” genre, home to many “Step Up” installments, “You Got Served,” “Battle of … Continue reading →

“I See You” is a thriller of urban legend topicality and Hitchcockian plot twists. Well-acted, cleverly-plotted and directed with extra attention being paid to tone, menace and hiding its secrets, the best word I can think of to describe it … Continue reading →

Partly because he drives the most collectible Aston Martin on Earth. Looks pretty cool for an April thriller, launched to get an early jump on summer.

An accomplished cast, including William Hurt, Christopher Plummer, Ed Harris, Samuel L. Jackson and Sebastian Stan, impressive combat footage, a potentially compelling story? Too bad “Roadside Attractions” has“The Last Full Measure.”Nobody’ll see it when it comes out Jan. 24.

I’ve seen a couple of Ned Kelly biopics over the years. He’s generally portrayed as Australia’s Billy the Kid. A rebel, cunning, ruthless, celebrated, infamous. Here he’s starting “a revolution.” George MacKay is Kelly, with Russell Crowe, Charlie Hunnam and … Continue reading →

Here’s a devilish dose of macabre, masochistic guilt for everything you bought on Black Friday, and just in time for Christmas! With “In Fabric,” horror auteur Peter Strickland (“The Duke of Burgundy,” “Berberian Sound Studio”) takes on consumerism, wage slavery … Continue reading →

You want to get your indie comedy financed and distributed? Sign some “names” for the cast. Advertise them as the “stars.” So sure, Val Kilmer’s only in a single scene, as “President Biden, nightmare in chief.” Put his name above … Continue reading →