Author Archives: rogerinorlando

A woman bedding both a father and a son has long been a staple of romantic melodramas, and even romantic comedies. So is there any edge left to it, anything new Hollywood can bring to the table on this subject? … Continue reading →

Smith-Coronas had this delicate touch. Rush your words and the keys would clump like gravy going wrong in the pan. Underwoods, Royals? You could pound those behemoths with passion, forcing out angry words that threatened to punch through the page. … Continue reading →

Here’s what I remember, sitting poolside at the Hotel Intercontinental in Toronto, trying to get through an interview with the breakout “new” star of the movie “The Station Agent” during the Toronto Film Festival some years back. And we kept … Continue reading →

Kudos to Kyle Mooney, who used his “Saturday Night Live” fame to make a movie that’s nothing like your typical “Saturday Night Live” movie. “Brigsby Bear” may be slight and gimmicky, but it’s nothing like the goofball character contraptions that … Continue reading →

“The Hitman’s Bodyguard” is a buddy action comedy that passes chemistry, masters physics — the chases and fights are epic — and then stumbles into all these off-the-curriculum potholes. It’s morally indefensible — glibly dispatching hundreds of killers, cops and … Continue reading →

I love Spain and love these guys — Steve Coogan, Rob Brydon and director Michael Winterbottom. If anyone’s going to get a kick out of two master mimics and comic improvisers eating, driving, bickering and trying out their Roger Moore … Continue reading →

Sean Baker did the hilarious, street-wise and super cheap (shot on cell phones) “Tangerine,” and now that he’s got fame and enough money to shoot a “proper” film — with a real movie star in his cast (as if anybody … Continue reading →

So Steven Soderbergh makes his big screen “comeback” a caper comedy that characters within it dismiss as “Oceans 7-11.” He’s got his “Magic Mike” in the lead, with 2015’s hot ticket Adam Driver, an Elvis grand-daughter, a country singer, a … Continue reading →

“A Taxi Driver” is a Korean epic, a tipping point in the history of South Korea. A little old-fashioned and a touch melodramatic, it’s still a compelling Korean “Year of Living Dangerously.” South Korean cinemas’ Everyman, Kang-ho Song  (“The Host,” “Thirst,” … Continue reading →