Netflixable? Campy Colombians discover “Loving is Losing (El que se Enamora Pierde)”

losing1

In one scene in the Colombian farce “Loving is Losing (El que se Enamora Pierde)” a misbehavior-prone masseuse (Carolina Sarmiento), prone to drugging her clients so she can goof off instead of actually giving massages, is seen watching a telenovela– one of those over-the-top soap operas Latin America is famous for.

And there’s no difference between the vampy soap and the movie that inserts this moment of a character watching the vampy soap in. None.

“Loving is Losing” is what happens when you pitch your comedy at that shrieking, eye-rolling, every gesture, reaction and burst of dialogue at the level of “La Cage aux Folles” — the gayer, campier French original.

That makes for a tedious and tiresome traipse through romance — Colombian style — where the men are cheating heels and the women desperate for a man, even one nicknamed “Pollywog.”

It’s a leering, loopy bust of a comedy, barely a laugh in it. Diaper gags, sex-play jokes, a practical joker OB-GYN, with singer and soccer star cameos because, “Why not?”

It’s kind of terrible, in its own terrible way.

A not-entirely-pointless prologue shows a cruel prank that a lovelorn little boy had played on him at a kids’ birthday party decades ago. Nico became “Nico the Dog Licker” (in Spanish, with English subtitles) when the girl he adored switched places with a dog for an eyes-closed smooch.

And shutterbug Erika was there to document it and seal his fate.

Decades later, Erika (Liss Pereira) pregnant — in love with a philandering plastic surgeon. She’s still a photographer. But so is Nico (Ricardo Quevedo), and he’s a lot more successful. He had to change his name and all — because of the widespread knowledge of his nickname, but he’s still out there, dating and dumping models.

Who cares if he’s bald and a bit doughy? And if his new nickname is “pollywog?”

His manager Camilo (Iván Marín) is angling to land this Charro/Shakira–vavavoom singer Alaska (Linda Baldrich) as a client, which entails lengthy-kinky Skype auditions for her pervy Dad (Bruno Díaz).

But meeting Erika’s three-kids/just-dumped BFF Clemencia (Lorna Cepeda) changes his life.

And even though Nico wants to keep his secret from Erika  and punish her for her long-ago crimes, he’s ready to give up models to tumble for this once-cruel pregnant lady who lies to him about her fiance. “He died…facial syphilis!” And she uh, buried him in the yard!

The OB-GYN uses puppets to “fake” childbirth, the advertising exec with the crazy wandering eye (María Cecilia Botero) is a special effect (let’s hope) in her own league.

But the rest? What plays in Colombia loses too much in translation.

1half-star

MPAA Rating: TV-14

Cast: Liss Pereira, Ricardo Quevedo, Lorna Cepeda, Linda Baldrich, Iván Marín, Carolina Sarmiento and Bruno Díaz

Credits: Written and directed by Fernando Ayllón.  A Netflix release.

Running time: 1:30

 

Unknown's avatar

About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine
This entry was posted in Reviews, previews, profiles and movie news. Bookmark the permalink.