Monthly Archives: December 2019

In November of 1957, the biggest gathering of mob bosses in Mafia history took place in tiny Apalachin, New York. Every Big Name in La Cosa Nostra showed up in upstate New York — some 60 mob bosses from across … Continue reading →

I will withhold my “What’s the point of THIS?” judgment because, well, this is a novel approach to take to a “reboot.” A “Ghostbusters” without the comedy? A sequel assuming the originals are all, or mostly, in the Harold Ramis … Continue reading →

A peak Netflix moment? Or a predictor of the Oscars? Big day for “The Irishman” and “Marriage Story,” some notice for “The Two Popes,” “Dolemite,” a near tidal wave. “Ford v Ferrari” a token nomination, “Once Upon a Time.. in … Continue reading →

If you think anything is going to stop Disney from remaking “live action” versions of its animated classics, Marvel movies or “Star Wars” installments, think again. The Mouse has become the first studio to ever cross the $10 billion mark … Continue reading →

A $34 million weekend means one final win for “Frozen 2.” It was projected to clear $40, and that didn’t happen. “Jumanji 2” will push it into the past starting next weekend. $60 million is the early projection for that … Continue reading →

The time setting is apt, the messaging of a strong woman “persisting” unmistakable. An improvement on the original?

If “Rogue One” taught us nothing, aside from the sure knowledge that it’s not hard to find somebody better than J.J. Abrams to make a “Star Wars” movie, it’s that we should never under-estimate Felicity Jones’ ability to “sell” an … Continue reading →

Well, let us see what Amazon has put on one screen within 100 miles of me, shall we?

Disney bites off a little of that @vancityReynolds snark for this one, a violent action comedy about…well, you’ll see. Yes, it’s a Fox movie. But Disney owns Fox, as the opening of this funny (ish) trailer reminds us. Next summer.

Let’s throw all those declarations that “Marriage Story,” Noah Baumbach’s dissection of a divorce, is unbearably “real” because of its “honesty.” It’s not a docu-drama. It’s theatrical, melodramatic, over-the-top and no more representative of the end of a marriage than … Continue reading →