Monthly Archives: November 2018

Warners indulged one of the great talents in their ranks — Peter Jackson — in creating and releasing (in the UK with some US “special event” screenings) this documentary that spruces up and brings into our world (color, sound, speed … Continue reading →

The official numbers roll out Monday afternoon, but for now, all the studios have shuffled their papers and guesstimated their final take by midnight tonight. “Ralph Breaks the Internet” did not hit $90 million over the long holiday weekend, which … Continue reading →

Guys who install carpet for a living run afoul of the cannibals that live, prey and feed in a big country home in this sick and twisted British horror comedy. “Carpet fitters don’t CRY!” There are five laughs in this … Continue reading →

David Zellner stars in this indier than indie dark farce set in the anything goes marketplace that is modern China. A Texan among the natives is Too Big to Fail, right? Or is that just his hat? Dark Star’s “Ghostbox … Continue reading →

There’s something sinister about this house. Is it the Queen Anne/”Psycho” design? The outdated wiring but oddly updated plumbing? No! It’s in THE WALLS! Is there a CLOCK in the Walls? A Mouse in need of Hunting? Could it be The … Continue reading →

Deadline.com, always first out of the gate with box office analysis, is forever guilty of lowballing kids’ cartoons. Always. And as I am writing this Sat. AM, I’ll bet you dollars to donuts that they’re still off on the over-under … Continue reading →

“The Front Runner” is a solid if not quite sensational thriller with villains around every corner, including one the director thinks is the hero. There’s the press corps — particularly Miami Herald reporters Tom Fiedler and Pete Murphy (Steve Zissis … Continue reading →

Watching Alex Pettyfer play scenes in which he’s in psychotherapy in his directing debut, “Back Roads,” the temptation is overwhelming to put the actor himself on the couch. With this film and his previous one, “The Strange Ones,” a dark, brooding same-sex … Continue reading →

Impressive. But still seems like one of the most pointless remakes ever. July 19, James Earl Jones returns as the father of…“The Lion King.”

Finn Wittrock of “The Big Short,” “La La Land” and TV’s “American Horror Story,” makes a reasonably charming rogue with his hooks in the girl who got away in “Write When You Get Work,” an amusing-enough “long con”  comedy set among … Continue reading →