Monthly Archives: April 2020

With its sequel, “Peninsula,” in the can and slated for release whenever the REAL viral invasion lets up (Fall?), I guess I’d best catch up on “Train to Busan,” the movie that inspired it. “Train to Busan” (2016) didn’t reinvent … Continue reading →

    The school monitors treat the morning Meet and Greet with the kids as an insult contest. Unstylish back pack? Just make sure your “parachute” doesn’t open in the middle of class. Asian kid’s late? Don’t they have buses … Continue reading →

How many theaters will close? How many promising films will wind up move to 2021? From The Hollywood Reporter –“If theaters are closed for three months, domestic grosses may struggle to hit $7 billion, a 20-year-plus low.” https://t.co/ReHNvED9jz https://twitter.com/THR/status/1249141270724960259?s=20

    Georgian Scott Teems, who first gained notice with the Faulkneresque Southern Gothic “That Evening Sun,” gives the genre a Hispano-Southern Gothic updating with “The Quarry,” a dark and blood-stained morality tale set in remote, rural “Reconquista”Texas. The script, … Continue reading →

Forget the “Parks & Rec” and “Master of None” credits on “Tigertail” writer-director Alan Yang’s resume. Don’t put too much stock in the more downbeat and thoughtful “Forever,” either. With this short but plays VERY long Netflix drama, he takes … Continue reading →

The greatest pleasure in the films of Hirozaku Kore-eda is the way they unfold, or rather unwrap. The films — “Shoplifters” is the most famous in the West, but “Our Little Sister” and “Like Father, Like Son” have also reached … Continue reading →

Lemme guess…they”ll leave out the Roger Miller et al songs. They’re calling it “Live Action.” So.”The Lion King” model it will be. Soulless CGI animation of a minor classic in the Disney canon? Bring it on. https://t.co/0MDpDJ4JoC https://t.co/bCXwvfq0zZ https://twitter.com/Variety_Film/status/1248717527863021569?s=20

How do you make an intentionally cringe-worthy if not remotely funny rom-com even more humorless? By doubling down on its theme, “coincidence” and fate intervening, and basically repeating the whole dull thing as “if things had turned out differently.” Sam … Continue reading →

Here’s a jewel, hidden in your Netflix menu and well worth digging out. “Mine 9” is everything you want an indie thriller to be — topical, regional, well-acted and harrowing as all get out. It may be yet another “disaster … Continue reading →

I have to admit, when Sam Rockwell shows up in “Trolls World Tour,” trotting out his George W. Bush drawl from “Vice,” crooning through a bar or two of “I Fall to Pieces,” I spat up my sangria. He’s a … Continue reading →