Top Posts & Pages
- Movie Review: An Indian Village goes French New Wave, "Adieu, Godard"
- Movie Preview: Netflix gets in the Queen Latifah business with a road-trip thriller -- "End of the Road"
- Netflixable? A tragedy of WWII recreated, "The Bombardment (Skyggen i mit øje)"
- Movie Review: She's baaaaack -- "Orphan: First Kill"
- Movie Review: A blood feud, a buried "sister" and sacrificial hand binds "The Accursed"
- Netflixable? Taiwanese mother considers whether to "Reclaim" the life she's given up for others
- Movie Review: Trashy, dull "For the Love of Money" lets singers take a shot at acting
- Netflixable? "RRR," an Action Bromance that Pulls out all the Bollywood Stops
- Preview, Burglar interrupts suicide, "romance" ensues in "Breaking & Exiting"
- "Top Gun: Maverick" comes back to the biggest IMAX (and mini max) screens this weekend
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Daily Archives: October 7, 2019
“Lady-Like” is the kind of cute-coeds-act-coarse comedy that calls for us to revive a word that isn’t used enough these days. “Blowsy.” That’s the best six-letter description of anti-heroine Allie (Stephanie Simbari of “Coldwater”). Park her character somewhere below “trollop,” … Continue reading
Marin Ireland’s been a busy bee in the 15 years since she broke into film — “Hell or High Water” and “Sneaky Pete” are a couple of highlights on her resume. Interesting that Jim Gaffigan’s agent is landing him all … Continue reading
No matter what obsessed fans think, sequels have to stand-alone as films, stories that work in their own right. Relying on everybody seeing your new movie having seen the original film simply isn’t cricket. That goes for every “Mad Max,” … Continue reading
The reason you stay through to the closing credits when reviewing a film is basic movie-reviewing ethics. It’s a rule. Here’s another one. Never let a rom-com’s touching if obvious ending change your mind about the 90 minutes that preceded … Continue reading