Movie Review: “The Citizen”

ImageThe bar has been raised in the “uplifting” immigration drama just enough that you’ve got to try harder and show more than “This worthy soul from Norway/Guatemala/Vietnam/Albania went through X, Y and Z to get to this country.” That tale is tired.
So “The Citizen” throws us this curve ball. Suppose the kindhearted, handsome foreigner who only wants the chance for a better life in America is a Muslim from Lebanon. Suppose the day he gets into the country, thanks to its then-lax “Green Card Lottery” rules, is Sept. 10, 2001. How might that complicate a fairly cut-and-dried storyline?
Not enough.
Egyptian star Khaled Nabawy is Ibrahim Jarrah, who tells a little white lie to the customs guy as he hopefully shows off his Green Card application and enters the United States. His cousin was to meet him at the airport, but doesn’t. No worries.
Within hours, he’s made a new friend — helping a lovely American woman (Agnes Bruckner) whose junky boyfriend has gone berserk on her at the Brooklyn hotel they’ve all checked into. As awkward as that situation is, they still manage to “meet cute.”
“Lebanon, that’s Qaddafi, right?”
“That would be Libya.”
“So, you speak Persian?”
“That would be Iran.”
Diane shows him the sights, in return for his help. They make plans to hang out some more, only to wake up to a radically different world the next day, September 11. Ibrahim, who comes off as a “That can’t happen,this is America” idealist, is caught in a roundup of Middle Eastern folks who recently entered the country. That’s where his white lies got him.
But Diane keeps asking about him, despite having just met the guy and despite his decision to keep this as platonic as possible. And when he gets out, she’s there to help him find work and hunt down his American dream.
Since the first scene in “The Citizen” is in a courtroom where William “Die Hard” Atherton is facing off with Cary Elwes to decide Ibrahim’s fate, we know that his challenges and tests are far from over. He befriends a homeless guy, who robs him. He intervenes when skinheads mug a young Jewish guy, and winds up in the hospital.
By the time we reach the third act, which is where the trial we’ve been teased plays out (at great, boring length), “The Citizen” has exhausted its supply of immigration cliches and our patience.
The most moving, most chilling scenes in it are actual 9/11 footage, the clouds of ashes descending on everyone in lower Manhattan that fateful day. There’s nothing concocted by this script and the filming of it that comes close to those moments.
The rest of the film is simply a shrug, not a hint of emotion, little to suggest Ibrahim’s fervent desire to be here, nothing to stir us with his apparently dispassionate idealism.
With America debating immigration reform — Who should get in, and why, and “How many is too many?” — that automatic sympathy for someone who wants to be here is not enough to make “The Citizen” pass muster.

MPAA Rating:PG-13 for thematic elements and brief violence
Cast: Khaled Nabawy, Agnes Bruckner, Rizwan Manji, Cary Elwes, William Atherton.
Credits: Directed by Sam Kadi, written by Sam Kadi and Jazmen Darnell Brown
A Monterey Media release.
Running time: 1:38

About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine
This entry was posted in Reviews, previews, profiles and movie news. Bookmark the permalink.

4 Responses to Movie Review: “The Citizen”

  1. Tamer Afr says:

    Hey Roger, sorry for you’re lack of empathy. No offense but I actually work for a living and have had to struggle in this Country despite being born and raised here simply because of my ethnicity post 9/11. This is a poignant film which is non-Arab based nor Muslim focused and could equally apply to immigrants across cultures, which are what built this great Country from it’s inception. You’re simplistic view shows your lack of depth. If I didn’t actually enjoy the film I could understand, but given the fact that I felt the trials and tribulations, I connected. Sorry you are too simple to understand true struggle

    • In American movies, there is but one immigrant narrative. It’s “What ‘they’ went through to get here. The immigrant’s struggle. That’s worn out. “El Norte,” Sin Nombre” “La Misma Luna” and generations of other films have covered similar ground. The lack of novelty in the story, save for the 9/11 connection, works against it. The stakes are low, the “Romance” demure and phony. What will happen to him if he’s sent home? Nada.
      And it’s “Your,” by the way.

  2. Suzy says:

    I agree with Tamer Afr:)

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