Movie Review: Not your granddaddy’s “Lone Ranger”


Saying the new “Lone Ranger” has “tone issues” is just code for “I could have done without the bad guy tearing out somebody’s heart and taking a bite out of it.”
The folks who did the “Pirates of the Caribbean” movies go overboard with the violence in what is essentially a playful spin on a myth — or a TV version of a legend.
“Who WAS that Masked Man?”
The U.S. Cavalry carries out massacres, “progress” is an act of venal destruction and corruption and “Stupid white man” is the inscrutably eccentric Tonto’s favorite put down.
No, this is not John Wayne’s Old West.
It’s all in service of a tall tale being told by an ancient Indian (Johnny Depp) who may or may not be Tonto, a sideshow attraction who spins this yarn to a little boy (Mason Cook) wearing a Lone Ranger get-up in a fair in 1930s San Francisco. Tonto remembers the days of yore when he road sidekick to the masked man.
Gore Verbinski’s film is an overlong array of noisy, digitally-assisted chases, shootouts, crashes and explosions with the occasional flash of homage to the “real” Lone Ranger that suggests a better movie than the pricey, jumbled compromise Verbinski delivered.
Armie Hammer is John Reid, the new Colby, Texas district attorney who witnesses the latest and last heroic act of his lawman brother (James Badge Dale) who has “saved the day, as usual.”
Brother Dan is killed by the vile Butch Cavendish (William Fichtner) and lawyer Reid is left for dead. But he isn’t, and when Tonto (who has escaped from the law, charged with being an “Indian”) sees the white horse that saved Reid, he decides that this stranger is a ranger — or “spirit warrior” who cannot be killed. And if justice is to be done, this spirit warrior will need to hide his identity.
“Come a time, Kemosabe, when good man must wear mask.”
There’s a railroad being pushed through, shortcuts being taken in Indian territory by conspiracists whom you just know include fat cat Latham Cole (Tom Wilkinson). Somebody’s got to mount up, put on a mask and sets things to right.
Hammer strikes just the right note with this masked man — naive, valiant and in over his head. It is, of course, Depp’s movie, and the quirks he piles onto poor Tonto make Captain Jack Sparrow look mild-mannered by comparison. A gag that works — his fellow tribesman disavow Tonto, whose makeup and mannerisms are too eccentric, even for them.
Heroic moments scored to “The William Tell Overture” still have the power to thrill. Everyone in this setting is seriously sun-baked and weathered, a nice touch of authenticity. And many of the jokey predicaments — Tonto and Reid buried up to their necks, Tonto and the Lone Ranger forced to rob a bank, Tonto’s attempt to warn his blundering captors of their doom or Reid’s “burial” at the top of a rickety tower — pay off hilariously.
Then Fichtner’s villain does something bloody-minded and psychotic, Wilkinson’s villain crosses a line no sane man would cross or Barry Pepper shows up doing a pompous Custer impersonation (not the character’s name) with an idea for wiping out the Red Man.
And the cheerful cartoon this might have been goes all dark and dismal.


MPAA Rating: PG-13  for  sequences of intense action and violence and some suggestive material.
Cast: Johnny Depp, Armie Hammer, Ruth Wilson, William Fichtner, Tom Wilkinson, Helena Bonham Carter
Credits: Directed Gore Verbinski, scripted by Justin Haythe, Ted Elliott and Terry Rossio. A Disney release
Running time: 2:29

About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine
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