Oscars: Best editing goes to “Argo”

The first big prize for “Argo” of the night. “Zero Dark Thirty” had more cutting, but better? Not really. Less is more, in this case.

 

About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine
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