Monthly Archives: February 2020

I loved the dark Swedish/Norwegian/French film this is based on, “Force Majeure.” So even though this Hollywood remake is warning mixed notices I early reviews, I am cautiously optimistic. Will Farrell is a master at cringe worthy, and Dreyfuss is … Continue reading →

Netflix really only has itself to compete with in the newly-revived teen romantic comedy genre. Theatrical studios gave up on making such films and getting them right a generation ago. But young fans of Netflix’s bubbly (“The Perfect Date”) or … Continue reading →

Danish director Lone Scherfig throws half a dozen Manhattan lives together, using infamously callous New Yorkers to try and make a point about “The Kindness of Strangers.” It doesn’t wholly come off, with back stories too thinly developed, pathos and … Continue reading →

I have seen “JoJo” and “Little Women” twice. Think I’ll hit a second run house showing “Ford v Ferrari” late today. Win or lose, they are worth seeing on the big screen. The countdown has begun. “Richard Jewell” is about … Continue reading →

If you didn’t think “Parasite” was the likely best picture winner, you probably didn’t think Bong Joon Ho was going to win best director. But that was the give away. That old Oscar saying, the one that doesn’t hold true … Continue reading →

The costumes, the celebrity appearances, the sea of vendors, the crowd that lets you know you’re in your tribe, and those lines — those endless lines. Fan conventions, nothing like’em, right? They’re famous for the army of fans — and … Continue reading →

“Goldie” isn’t easy to like. Not based on first impressions. She’s brash, delusionally confident as she Instagram’s her latest update. “I’m ’bout to BLOW UP! Goldie ready for TAKE OFF!” As embodied by model/actress Slick Woods (“Love Advent”), Goldie is … Continue reading →

Here it is, thanks to Sony Animation. Adorable.

Warner/DC’s lady birds bested “Bad Boys.” But the take, a measly $33 million, was 33-50% below projections. That “Suicide Squad” hangover proves to be a bitch. That one opened at $133 million and comic book film fans haven’t forgotten. For … Continue reading →

Pitch a tent, put on a show. Formal, but cabaret loosey goosie. Drinks? A gay men’s chorus, love fests for nominees, surprises, without all the time limits and Gravitas. Aubrey Plaza hosting and covering a Judy Garland hit? There’s more … Continue reading →