Top Posts & Pages
- Documentary Review: Considering, remembering and dissecting the legend that was "Zappa"
- Netflixable? Turkish "My Father's Violin (Babamin Kemani)" tugs at the heartstrings
- Documentary Review: A fragile genius in his second prime -- "Brian Wilson: Long Promised Road"
- Netflixable? A charming story of a French girl and her wolf -- "Vicky and Her Mystery (Mystère)"
- Netflixable? "Curtiz" makes a hash out of filming "Casablanca"
- Netflixable? "Photocopier" reminds us that in Indonesia and elsewhere, the Revolution will not be Televised
- Movie Review: Moping our way through "Elsewhere"
- Movie Review: Dutch Road Ragers are just the worst -- "Tailgate (Bumperkleef)"
- Movie Review: Brit detective chases a serial killer in "Silent Hours"
- Movie Preview: Is "Therapy Dogs" "the last high school movie?"
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Daily Archives: February 26, 2020
Movies about making movies are a favorite subject of first-time filmmakers. Yeah, it’s narcissistic. But if the rule of thumb is “write/direct what you know,” that’s the thing most obsessives who want to be in the film business know best. … Continue reading
He’s the writer. Laura Linney’s who he ended up with. Elle Fanning is the result. And Salma Hayek is, in some form, one of “The Roads Not Taken.” Sally Potter directed this March 13 release.
This looks lovely and reaches an audience the major studios neglect.
Elisabeth Moss has the best “resting tormented face” in the business. So she’s perfectly cast as a abused, haunted wife certain her dead control-freak husband is manipulating her life and attacking her and those close to her in “The Invisible … Continue reading