Monthly Archives: October 2018

Eva Birthistle and Catherine Walker are the wives, Andrew Scott is the other husband concerned in all this autumnal cheating. Mark Rowe wrote and directed “The Delinquent Season.” He scripted “Boy A” and the Colin Farrell dramedy “Intermission.” This one earns … Continue reading →

A bullied little girl, a dad about to remarry, a passion for sci-fi and naive enough to believe the ads you used to see in the backs of comic books? Those are the ingredients of this “Dove Approved” family comedy. … Continue reading →

  Silly me. From the advertising, I’d assumed Jack Black was AWOL from the “Goosebumps” sequel, and missing his ironic turn as kid’s horror novelist R.L. Stine meant that Columbia wasn’t putting a lot of effort into this sequel to the delightful … Continue reading →

  Bad acting by pretty people, chilly sex scenes acted out in mail order S&M wear, laughable dialogue and money money everywhere. What is this, “Fifty Shades of Ebony?” That’s exactly what “Kinky” is. Flip the gender of the “I … Continue reading →

In the movies, the path to “slow” is a precarious one. Such roles can be awards bait, but in these more enlightened times, playing a character described as such is walking a minefield between cute and insensitive, patronizing and simply … Continue reading →

The earliest looks at this weekend’s box office race had “Venom” falling off 65% or more from its breathless $80 million+ opening, and hitting the $30 million mark on its second weekend. Lady Gaga fans had a shot at unseating … Continue reading →

The tulip mania of the modern art market gets a pretty thorough going over in “The Price of Everything.” Nathaniel Kahn’s collected interviews with artists, hype-driven dealers, well-heeled collectors and art historians and visits to Sotheby’s and the Frieze Art … Continue reading →

Absurdism on the screen is an acquired taste reliant perhaps more than other genres on the viewer being in the mood for something screwy beyond measure. It can be wearing, or invigorating, novel or intentionally trite, populated by Pythonesque eccentrics … Continue reading →

Film fans are not passing on warnings about “Venom” to their friends with quite the united voice critics offered. So even though Sony’s franchise-launching smash hit/bad film lost 60-65% or so of that opening weekend $80 million take, it’s on … Continue reading →

Decades of young women reluctant to identify themselves as “feminist” is explained in just a moment, when artist and feminist Judy Chicago remembers her college years in the ’60s. She’d say something about women’s rights back then, and she’d get … Continue reading →