Monthly Archives: July 2018

It’s the first or second thing they teach you in all the better “How to Script a Romantic Comedy in Nine Lessons” online courses. Find an excuse to throw a bunch of sexually active folks together, find a cool location, … Continue reading →

Melanie Laurent’s new film opens in France before the U.S (Oct 10), but with this cast, we’ll see “Galveston,” based on a Nic Pizzolatto novel, in limited release shortly. Brush up on your French with this English language with French … Continue reading →

“Puzzle” is a lightly charming New York variation on “The Lunchbox,” another aching tale of romantic longing and disappointment about a lonely married woman who tumbles for the soulful charms of Irrfan Khan. This time Kelly Macdonald is the housewife trapped in … Continue reading →

Rachel Leigh Cook, {Paz de la Huerta, Hamish Linklater and Finn Wittrock are the big names  — OK, not quite big — attached to this latest cinema stab at Shakespeare. “A Midsummer Night’s Dream” isn’t my favorite of the plays, … Continue reading →

Even filmgoers too young to remember the ’70s are likely to find “The Escape” dated — almost quaint. A well-acted, intimate drama about a housewife’s depression over the limited life she’s leading, it harks back to the Decade When Hollywood … Continue reading →

Emma Roberts has had an interesting time of it, trading on her aunt and uncle’s name, crashing and burning at the end of her youth role years (she was going to take time off for college, but hated the hard … Continue reading →

Rock “The Dwayne” Johnson’s run of box office blockbusters comes to an end this weekend. And you can thank “Rampage” for that. Surely some of the residual “We shelled out $16 a ticket for THIS?” hangover from that mad monkey … Continue reading →

Mariano lives and breathes futbol, especially as it pertains to the Mexican national team/ He nervously drinks shots with friends and relatives, bickers over whether they are “traitors” for not rooting hard enough and trash talks one and all when … Continue reading →

The upshot of this July 27 release is that Scotty Bowers was a WWII vet and Hollywood hanger-on, a pimp, rent-boy, and above all else a credible kiss-and-tell authority on who was sleeping with whom, and which screen icons were … Continue reading →

“How it Ends” is “Zombieland” with the sobriety of “The Stand” or “The Road,” a post apocalyptic cross-country thriller that has the good sense to put its antagonistic protagonists on the road with a minimum of fuss, and a lot … Continue reading →