Movie Review: “For Colored Girls”

It’s dated, theatrical and over-the-top. In the 35 years since the play’s premiere, it still doesn’t cut black men a lot of slack.

But Tyler Perry’s film adaptation of  Ntozoke Shange’s legendary 1970s play, “For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf” is a piece of passion, poetry and ambition.  And if his “For Colored Girls” doesn’t overcome the play’s staginess or Perry’s own limitations as a dramatist, it’s not because he doesn’t give it his best cast — from Thandie Newton to Whoopi to Anika Noni Rose, Loretta Devine and Kerry Washington — and his best shot. He doesn’t embarrass himself or the play.

Perry reset this “choreopoem” — seven archetypal women, dancers, delivering monologues or speeches in their scenes together — in an inner city apartment building,building a community of relatives, neighbors, acquaintances and employees. The high-powered magazine publisher Jo (Janet Jackson, looking years and pounds younger than her earlier Perry films) may live uptown where she suspects her man of cheating. But her employee, Crystal (Kimberly Elise, in a moving performance) is stuck in a dingy walk-up and an abusive relationship (Michael Ealy).

Phylicia Rashad plays the nosy landlady, whose “I used to be you” is a favorite bit of advice that few of her tenants heed. There’s sexually assertive bombshell barmaid Tangie (Thandie Newton, ferocious), who uses men and insultingly kicks them out the door in the morning. Juanita (Loretta Devine at her earthiest) is a nurse, struggling to teach neighborhood women safe sex and what not to put up with in relationships, even though she’s putty in the hands of her two-timing man.

Tangie’s estranged naive younger sister Nyla  (Tessa Thompson) is just now coming into her own, sexually. And their cult-following mom (Whoopi Goldberg, plainly out of practice as an actress) is no help, keeping the sisters apart, judging Tangie for her promiscuity.  Nyla takes dance lessons from a  great role model, Yasmine (Anika Noni Rose of “Dreamgirls””), a proud woman who keeps her distance from men, but conveys a sexy, self-assured gentility.  And Kelly (Kerry Washington) is the social worker who stumbles into some of these lives, mainly due to Crystal’s unraveling home life.

It’s a movie built on verbal flourishes, playwright Shange’s purple turns of phrase. Juanita doesn’t just confront her man (Richard Lawson). She lights him up –lyrically.

I have loved you assiduously for 8 months two weeks and a day.”

A visit to a back-alley abortionist (Macy Gray) sees her decrying the “six blocks of cruelty” they all live in.

“Being colored is a metaphysical dilemma I haven’t conquered yet” is the mantra here, a “dark phrase” that sums up these women as they face rape, murder, abortion and betrayal.

That high-minded language, delivered with “This is my close-up” bravado by the various players, can’t help but provoke eye-rolling, on occasion. Perry’s additions to the script are more matter-of-fact than florid (he had to provide the plot), and he can’t quite commit to making this a full on “art film” take on the play.  We can fret over what a real stage-to-screen wizard like Julie Taymor (“The Tempest,” “Across the Universe”) would have done with this material — something more daring, certainly.

But Perry’s great gift to this unfilmable play is getting it on the screen, his sharp eye for casting and his evident affection and sympathy for black womanhood, even in movies in which he doesn’t don a dress.


See for Yourself
“For Colored Girls”

Cast: Thandie Newton, Whoopi Goldberg, Kerry Washington, Anika Noni Rose, Loretta Devine, Kimberly Elise

Director: Tyler Perry

Running time: 2 hours 12 minutes

Rating:R for some disturbing violence including a rape, sexual content and language.

About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine
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