Monthly Archives: October 2019

Nothing much happens in “Light from Light,” an East Tennessee character study bathed in mourning cloaked in quiet. The lead characters meet because she’s an amateur ghost hunter, with lifelong intuitions, and he’s a grieving widower who wonders if his … Continue reading →

Remember that scene in “World War Z” where the zombies take on ant collectivist behavior and overwhelm the walls of Erezt Israel? There’s such a moment in “Assimilate,” a C-grade thriller about “pod people” who are zombies in all but … Continue reading →

Lin Manuel Miranda is producing, making this Rita Moreno doc happen. Long overdue. https://t.co/QP36ag4zac https://t.co/3Cx8exOSJj https://twitter.com/REMEZCLA/status/1188616380519735296?s=17

Mixed reviews came in for the lovely re-edit of this movie, which was marred by Harvey Weinstein in a recut, and then abandoned as his #MeToo troubles exploded. But here’s an Interesting history of the rescue edit that saved “The … Continue reading →

It’s not exactly fair, releasing a thriller with the title “Bloody Marie” right around Halloween. But hey, anything to trick the horror crowd into reading subtitles, right? “Bloody Marie” is a Dutch character study, a fraught if not entirely taut … Continue reading →

The Korean director who first gained global fame with his wry creature feature “The Host” reconsiders that host-parasite relationship with his latest, “Parasite.” Bong Joon Ho has a created a dark satire of haves and enterprising have-nots, a film that … Continue reading →

Justin Lee, the new King of the B Movies, is back on the screen for his sixth movie in the past two years, a Western wearing the weary title, “Badland.” The writer-director of “The Reckoning,” “Big Legend” and “Any Bullet … Continue reading →

Benny staggers off the plane and makes his way to the parking lot. “Welcome to Iceland,” a friendly cabbie says. Need a lift? Where do you want to go? “Where do people go?” What’s that? “When they fly in…” Hungover … Continue reading →

Never underestimate the value of “novelty” when it comes to romantic comedies. A “fish out of water” romance, where somebody from one culture falls for someone from an alien (to him or her) culture, that’s the sort of fresh take … Continue reading →