Monthly Archives: February 2018

Odeya Rush is the high school outcast who becomes pen pals with a foreign (Cockney?) ruler in this wacky comedy, whose trailer suggests something we might have seen in the ’80s, an SNL comedy during comedy’s “Cocaine” era. Just…nuts. Remember, … Continue reading →

  “Winchester,” a haunted house period piece with a promising premise and Oscar-winner-headed cast, lurches into theaters as the first major movie disappointment of 2018. All those spooky trailers, the promise of Helen Mirren as the surnamed firearms heiress sure … Continue reading →

Bloody, kinetic and near-as-makes-no-difference plot-less, “Kill Order” is about a human super weapon hunted by his creators. It’s a psychotronic martial arts/sci-fi mashup where all the mayhem is rendered in slow-mo, or sped-up motion. As you’d expect from a stuntman turned … Continue reading →

“The Purge” movies have been politically charged from the start, and have only grown more blunt in their class warfare/”thin the herd” ethos with each sequel. The new one is the “original” Purge, a prequel that unlike the 2013 sleeper … Continue reading →

  “Becks” is a gay romance so old fashioned it feels like a period piece, a film from the earliest days of what came to be called “queer cinema.” It’s about a folk singer falling in love with a married … Continue reading →