Monthly Archives: September 2020

Fernando Ferro is a trauma doctor, so naturally he keeps a very busy schedule. He works shifts at two hospitals, one in Mar del Plata, the other in Buenos Aires. That means he has to keep apartments in each place, … Continue reading →

Azura Skye’s broken, powerhouse performance animates “The Swerve,” a brittle psychological thriller about a woman on the edge. As Holly, a teacher, wife and mother breaking under the strains of holding an extended family, a home and her classroom together, … Continue reading →

Warner’s has found yet another “Wonder Woman 1984” release date. Now it’s a Christmas movie. Will it stick? “Tenet’s” numbers scared them to death, I dare say. Via Variety. https://t.co/8Nn9WwfrQA https://t.co/4SP5yFSngA https://twitter.com/Variety_Film/status/1304461967902433280?s=20

“The Babysitter: Killer Queen” is a sequel to the teen death-cult comedy “The Babysitter,” which all the cool kids gathered round the TV to “Netflix” back in 2017. The sequel, in which finding fresh slasher comedy laughs shows, first scene … Continue reading →

Oh yes. This one’s out Friday the 13th…of November.

The romance and endless possibilities of a motorcycle create many an armchair adventurer. But if you’ve got the bike, the time and the yen for “Zen and the Art of Motorcycle Maintenance,” why not think big? “Long Way Up” is … Continue reading →

I loved “The Long Way Round,” and “The Long Way Down,” two epic motorcycle road trips undertaken by actor pals Ewan McGregor and Charlie Boorman (son of the great director John “Deliverance” Boorman). It’s been 13 years since the second … Continue reading →

Who would have suspected that the perfect “whodunit” title would turn up on a Korean thriller? “Killed My Wife (Anaereul Jukyessda)” is a guilty, sinking suspicion, a question and in the end an answer to a mystery, cryptically served-up in … Continue reading →

De Niro and Uma, Jane Seymour, Rob Riggle, and Cheech Marin, Faizon Love and Christopher Walken. The slapstick and cute is strong in this one. Oct 9, it hits theaters.

“Antebellum” is a gorgeously-shot but dawdling and ditzy parable on race and “the patriarchy,” told in three acts. First-time feature writer/directors Gerard Bush and Christopher Renz make the most of their Big Chance, opening their film with an impressive-if-not-quite-dazzling five … Continue reading →