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Monthly Archives: August 2018
Netflixable? “Tramps” is a caper romance that comes off
Girl meets boy, boy meets girl. I mean, sure, they’re strangers connected, arbitrarily, by a caper. They don’t know the nature of it, don’t know each other’s real names. There’s just this briefcase. They pick it up, she drops him … Continue reading
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Preview, Team “Hell or High Water” presents Chris Pine as Robert the Bruce, “Outlaw King,” for Netflix
Pretty damned ambitious the streaming network Netflix to take on a period piece with a Big Name Star, an acclaimed director and a Scottish icon as its subject. Chris Pine, Aaron Taylor-Johnson, Stephen Dillane and Florence Pugh star in David … Continue reading
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Preview, A too-young lifeguard comes of “Age of Summer”
Coming of age tales are such a summer thing. Why’s Freestyle releasing this one AFTER summer? Beats me. More 1980s nostalgia, the big “name” in this is the “legend” of the beach, played by the great character comic Peter Stormare. … Continue reading
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Movie Review: Stu Bennett vows “I Am Vengeance”
Stu Sanders Wade Barrett is a British wrestler and bare-knuckle boxer turned big screen action hero, where he goes by the name “Stu Bennett.” He’s of that Schwarzenegger/Dave Bautista/John Cena class of Action Jacksons, a man mountain any lesser mortal … Continue reading
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Netflixable? “Adventures in Public School”
Screen comedy has given us a few seriously, unintentionally inappropriate parent/child relationships, mostly in the films of Cameron Crowe — Mother/Son in “Almost Famous,” Father/Daughter in “Say Anything.” But those have nothing on the sometimes amusing, always creepy Mother-Son weirdness … Continue reading
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Movie Review: Oh, the small town trouble she stirs up, just by opening “The Bookshop”
“A foolish consistency is the hobgoblin of little minds,” the poet said. People don’t like change, we understand it to mean. If only Florence Green knew the poets as well as she loved novelists, she could have avoided a world … Continue reading
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Movie Review: “Dead Envy”
“Dead Envy” is a micro-budget indie thriller that doesn’t give away its credit-card financing. Slick, musical and occasionally laugh-out-loud funny, Harley Di Nardo’s “make work for myself” project limits its settings, situations and run time to pull off a minor … Continue reading
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Netflixable? “To All the Boys I’ve Loved Before”
Netflix’s full court press into teen romantic comedies raises its won-loss percentage with “To All the Boys I’ve Loved Before,” a well-cast, well-acted charmer from the director of “Carrie Pilby.” No, me neither, but Susan Johnson ensures this adaptation of … Continue reading
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Preview, “The Oath” lets Tiffany Haddish, Nora Dunn, John Cho and friends get political
Ike Barinholtz wrote, directed and co-stars in this “ruin Thanksgiving by talking politics with your Trumpist relatives” farce. “The Oath” has a good cast, some chuckles in the trailer, but nobody will see it. It’s with dirt-merchants Roadside Attractions, so … Continue reading
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BOX OFFICE: “Crazy Rich Asians” has a $25 million weekend, “Mile 22” and “Alpha” bomb
As Matty M. loves to say, “Awright awright awright…” So my initial hunch that the heavily-hyped “Crazy Rich Asians” would overcome the lack of star power in the cast and the narrow demo in its marketing and hit $35 million … Continue reading
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