Daily Archives: August 17, 2018

“The Last Detail,” “Shampoo,” “Coming Home,” “Bound for Glory,” “Harold and Maude” and being there — Hal Ashby was every bit as important to film in the ’70s as Scorsese and Allen, Altman and Coppola. He was, as those testifying … Continue reading →

A novel milieu and an understated turn by Jack Jovcic, playing a mobster turned priest, give the otherwise dour Australian drama “Hidden Light” a fighting chance. Writer-director Aaron Kamp set his story in the Serbian Orthodox community of Perth, Australia, … Continue reading →

So we’ve got this faux ’50s Italian-American greaser (Spencer Boldman) who swipes cars and car radios on 1980s Long Island, and this Jewish Girl Who Wants to be Bad (Emily Ratajkowski) who takes a tumble with him over the course … Continue reading →

A Sundance farce that looks madcap, slapstick, surreal and Jemaine all at once. A guy known for screwball horror (“The Greasy Strangler”) is behind it, Emile Hirsch is also in it. Plaza’s reliably hilarious and should do nothing but make … Continue reading →

The Wednesday opening of “Crazy Rich Asians” came in at $5 million, not the $6 million originally projected (Deadline.com has walked its numbers back).  Thursday night’s “Mile 22” money wasn’t all that. And “Alpha” was always going to be a … Continue reading →

Forget “Alpha,” here’s the REAL “dog of August” at the movies — “Mile 22” — an antic, nonsensical and bloody B-movie amped up by Mark Wahlberg’s motor-mouthed character and the savage, sadistic martial arts stylings of  Iko Uwais. Wahlberg’s go-to director, … Continue reading →