Top Posts & Pages
- Netflixable? Romania is home to "The Father Who Moves Mountains (Tata mută munții)"
- Movie Review: The future's dystopian, but dull in "2149: The Aftermath"
- Netflixable? "The Ice Road" should make even Liam Neeson say, "Oh, come ON now!"
- Netflixable? French cops bend the rules and pay the price getting their bust in "The Stronghold (BAC Nord)"
- Movie Review: "Dear Evan Hansen" shows up in the Dead Letter Office
- Movie Review: The Men -- and Woman -- Who Made Tony, "The Many Saints of Newark"
- Movie Review: Miss this Appalachian thriller and there'll be "The Devil to Pay"
- Movie Review: Trapped, with escape the only "Antidote"
- Bingeworthy? Danes face terror, and personal reckonings for it "When the Dust Settles"
- Classic Film Review: Life under slavery laid bare in the Indie drama, "Sankofa," coming to Netflix
Find a Movie Review
Daily Archives: December 9, 2018
“He’s not like us.” You don’t say. The frights from the scary kid this rural couple “found” come our way Memorial Day, when “Brightburn” reaches theaters.
Rarely has an actor’s “baggage” served him better in a role than Willem Dafoe’s has in bringing Vincent Van Gogh to the screen in “At Eternity’s Gate.” Soulful and wounded, testy and potentially dangerous — those are the hallmarks of … Continue reading
Yes, that’s how it’s supposed to look. And no, Sony Animation should not have let “Spider-Man: Into the Spider-Verse” out its doors and onto big screens in this blurred, jerky, pixelated condition. No kidding, six minutes into it, I … Continue reading