Well, they’re showing it after print deadlines, after the last minute and in some sort of effort to control the buzz “As Above So Below” generates.
Which generally means POS.
The trailer is reasonably compelling — pretty young British “urban archeologist” leads a youthful team into the catacombs of Paris, where TERROR strikes.
But again, studios never hide products they’re proud of by not previewing those products to critics and buzz-building audiences. And studios never roll out films they have high hopes for on Labor Day weekend. Never.