Monthly Archives: September 2021

Thomasin McKenzie, Anya Taylor;Joy and Terrence Stamp reconnect us with a dreamy, then nightmarish vision of London in the Swinging 60s. Stamp actually cut quite a figure on Mod London. This looks dazzling. An October release.

Mike Mills (“Beginners,” “Twentieth Century Women”) directed this monochromatic A24 release, using several recognizably romanticized childhood locales — NYC to Venice Beach — a road trip a father takes with his little boy.

Before “Ted Lasso,” Sudeikis was typecast as a smarmy douche in film after film, TV guest shots, too. In this Oct. 8 release, he plays an ex con who longs to give the great love of his life one last … Continue reading →

Phoenix friends set up a massive grocery store coupon scam, raking in tens of millions and spending like drug lords until they bring down a massive Federal tactical response in “Queenpins,” a caper comedy overflowing with dark farce possibilities. The … Continue reading →

This is Kosovo’s official Oscar entry in the Best International Feature category. Yes, it’s about beekeeping. It opens Nov. 12.

Many have taken a shot at creating a “Zoom” call comedy or drama or dramedy during COVID. But it took actress (“Parks & Rec.”) turned actress-director Natalie Morales and actor and sometime writer-director Mark Duplass (“Jeff, Who Lives at Home,” … Continue reading →

The teaser trailer…

This mid-Oct release from IFC is about an American filmmaking couple (Roth and Krieps) who vacation in the Faroe Islands, where Ingmar Bergman made his most famous films, and rediscover the memories and connections that made them a couple in … Continue reading →

Whatever new ground the Philippine cinema is breaking in dramas and thrillers, the romances and rom-coms rolling out of there and onto Netflix aren’t making any impression. Even taking into account cultural differences as we travel Around the World with … Continue reading →

We’ve seen other versions of this operator who cares tale, starring Halle Berry and others. This Oct. 1 take on the genre looks more fraught. On Netflix