Monthly Archives: November 2020

There’s a moment, after we’ve seen an hour of the stoic Swedish teen Greta Thunberg start a global climate movement, meet with world leaders and agree to every “selfie” asked of her by fans along the way, when we get … Continue reading →

As the lady once said, “What fresh Hell is this?” For everybody who found the polish, sophistication and gentility of “The Devil’s Rejects” a turn-off, we present “Derelicts,” a little slice of holiday slaughter from the people who brought you… … Continue reading →

There’s no footage of Hurricane Maria’ pounding Puerto Rico back in 2017, back when the storm made landfall and wrecked the island. We don’t see the gas lines, people lining up for water, the months of governmental indifference in San … Continue reading →

Young woman wants to make it as a stand-up comic, stalks her geezer heckler, “a comedy urban legend” until he agrees to coach her. We all know where “All Joking Aside” is going, basically by the time the opening credits … Continue reading →

He was a modest, pious farm boy sent into the slaughterhouse of trench warfare in World War I. When his moment came, he covered a withdrawal of Allied forces by single-handedly staying behind and mowing down the Germans with a … Continue reading →

The totality of human existence might be summed up in the forlorn, inquisitive and sometimes playful narrations of the great German filmmaker, that keen-eyed observer of humanity Werner Herzog. For his latest, the filmmaker who gave us “My Best Fiend” … Continue reading →

There’s no one “Eureka!” moment when “Echo Boomers,” a fictionalized “political statement” burglary version of “The Bling Ring,” goes wrong. It’s a solid enough heist picture, with the hook that the thieves are all aggrieved millennials lashing out at a … Continue reading →

A chilling political murder in broad daylight in an allegedly free country, “the perfect crime.” This comes out Dec. 11.

If there’s one thing any film fan should take away from “Leap of Faith: William Friedkin on ‘The Exorcist,’” it’s exactly the same thing you should take away from “Friedkin Uncut,” the earlier doc about the quintessential hotshot Hollywood director … Continue reading →

A young working class woman with a baby and few job prospects comes to terms with disfiguring injuries in “Dirty God,” a compelling drama about self-image, dashed dreams and the growing up that might be on the other side of … Continue reading →