Monthly Archives: June 2022

Straight to Paramount+ streaming, June 23. Maybe one half chuckle in this trailer. It’s a different world, you fart knockers.

For the past few weeks, I’ve been fuming at boutique distributor Neon, which was waffling on whether or not to preview screen “Crimes of the Future” in my market, or anywhere near me. Coupled with a general lack of advertising, … Continue reading →

The line for the 1130am showing of “Crimes of the Future” starts here, in the parking lot of Raleigh, NC’s Cinemark Grande. Apparently.

Ancient corpses uncovered in a bog haunt the residents near it in “Moloch,” a gloomy, suspenseful thriller from the Netherlands. Director and co-writer Nico van den Brink makes his feature filmmaking debut an exercise in menacing a mother and her … Continue reading →

Anybody familiar with his early work has to realize that casting Lloyd Bridges (1913-1998) as a hero was something of a waste. Tough “good guys” are a lot less interesting that tough guy villains as his treacherous deputy turn in … Continue reading →

And you thought Canadians were nice. Well, aside from the hockey players and seal killers, I mean. Here’s Woody, playing a torturer/killer from you-know-where, and of course Kevin Hart’s the EveryLittleMan confused for him who has to pretend he enjoys … Continue reading →

An $85 million second weekend has turned “Top Gun” into Tom Cruise’s biggest US hit ever. It should clear the $300 million mark by Tuesday or Wednesday of next week. Boffo overseas, of course, but even Cruise’s “Mission: Impossible” career-savers … Continue reading →

A wealthy, 60ish husband is getting nagged by his wife in their United Arab Emirates mansion. She’s heard of a husband who built a mosque in loving tribute to his late wife. Doesn’t her husband love her that much? “Great,” … Continue reading →

Imagine Beckett’s “Waiting for Godot,” staged and cast by gangster-obsessed Martin McDonagh and set to the music of Morrisey, imitating the work of Jonathan Larson. That’s my best shot at describing “The Score,” Malachi Smyth’s debut feature about two mobsters … Continue reading →

The folks who made that Beatles dramedy “Yesterday” are behind this Will Poulter/Naomi Ackie/Johnny Flynn musical dramedy. Flynn did the tunes, too. Looks fun. June 10, theatrical.