Monthly Archives: May 2020

You can search the Internet, high and low, for a profile of filmmaker Abel Ferrara that doesn’t use the word “maverick.” He’s made it his brand, probably using it about himself and in press releases like the late U.S. Senator … Continue reading →

Charlotte Clymer 🏳️‍🌈 (@cmclymer) Tweeted: Aaron Sorkin writing Mark Zuckerberg as a power hungry, morally bankrupt sociopath in “The Social Network” is probably the best thing he ever did. https://twitter.com/cmclymer/status/1265825677401624578?s=20

The world’s fourth largest island, a country famed for its beauty, its wildlife and a series of animated films about zoo animals making their way there, “has an image problem” a UNICEF official says in the early moments of the … Continue reading →

Every now and then in various corners of the South, I’ll see a guy taking his fully-restored 1969-79 Chevrolet Nova out for a Saturday AM spin, maybe a run to a car show. And I’m not going to lie. I … Continue reading →

There are worse sins than leaning into the cute if you’re making a diva-and-her-assistant romantic comedy, especially if you’ve cast sitcom star Tracee Ellis Ross (“black-ish”) as the diva, and Dakota Johnson as the assistant. Ross, the daughter of that … Continue reading →

She rumbles down a dirt path in a remote corner of Mexico in the Nissan pickup she’s put many hard miles on. The road’s so bumpy her ever-present straw hat drops over her eyes, not that this stops her. Diana … Continue reading →

“Driven” is the sort of comic thriller you root for, but one you’re hoping turns out better than it does. It’s “Collateral” in a ride-share, “Collateral” meets oh — “Buffy the Vampire Slayer,” even though the supernatural menace isn’t vampires. … Continue reading →

Hard to believe Scott Derrickson got his start with “The Exorcism of Emily Rose.” I mean, it was a fine film, but who knew he’d be an effects driven blockbuster king? This sequel idea has been around for years. Jim … Continue reading →

Here are the two jokes that work in “Rebelión de los Godínez (Mutiny of the Worker Bees),” an antic piñata colored-workplace farce from Mexico. The hero, played by Gustavo Egelhaaf, has just asked a pretty office mate (Anna Carreiro) to … Continue reading →

Broadly-acted, brutally boring and downright bizarre, “The Accompanist” lands like a 7-chord pounded with a sledgehammer. It’s a romantic mystery that ineptly blends ballet, an abusive relationship and the supernatural, often with groan-out-loud effect. Writer-director and star Frederick Keeve is … Continue reading →