Monthly Archives: January 2021

Yes, this is an interesting biography to finish off in the middle of a racist/treasonous coup attempt, but there you go. And since Spike Lee and Denzel’s bio-pic hagiography on the same subject is still worth watching, I thought I’d … Continue reading →

The camera tracks down what is unmistakably a young woman’s naked back as the voice of Stephen Fry, throwing himself into an amusing dudgeon, reads from the letters of the puzzle print-maker M.C. Escher, griping about “the hippies in San … Continue reading →

“Cicada Song” is a sometimes compelling mystery-thriller set in America’s heartland, a missing persons story set in remote, rural Missouri. The feature debut of writer-director Michael Starr has many of the requisite ingredients of a solid indie outing — a … Continue reading →

As I’ve said before, that Craig Fairbrass is a proper British villain. A hulking, brutish mug, everything about him says Man of Action/Bloke-who-doesn’t-muck-about. He makes solid British B-movies — thrillers with a caper, cash, some cars, some cuts and gunplay, … Continue reading →

Jan 14 on HBO Max.

Here’s how a New York Times critic made mention of actress and transgender icon Candy Darling‘s first appearance in a reviewable play, “Glamour, Glory and Gold” on a New York stage. “Hers was the first female impersonation of a female … Continue reading →

It’s not every horror movie that opens by killing off future Oscar winners Laura Dern and George Clooney…and Charlie Sheen. And there can’t be many that climax with a godawful but epic imitation ’80s synth pop concert and big explosions … Continue reading →

So a ’67 Boss 302 Mustang, a Porsche 991 GTS Turbo, a Toyota GT86 and an ’80 Pace Car Corvette cut loose on the Nürburgring… Did I lose you? Fine. Go over and read the reviews of “Asphalt Burning” typed … Continue reading →

We don’t need to be told “Gun and a Hotel Bible” is based on a play. The memory monologues, the compact two-person structure, basically a single set, the theological debates — very theatrical. A desperate man (Bradley Gosnell) staring at … Continue reading →

“Redemption Day” is a hostage thriller with a fixed deadline, a threatened beheading and the celebrated soldier married to the hostage hellbent on fighting his way to get to her. “My cause is worthy of my death.“ It has a … Continue reading →