Movie Review: Hill and Franco don’t avoid spoiler alerts in “True Story”


One is a newly-disgraced New York Times reporter desperately in search of a career-reviving scoop.
The other is a newly-captured accused murderer, a man who who has been on the lam using the Times reporter’s identity as he fled the country.
They’re roughly the same age, both opportunists and story tellers, each cynical enough to use the other. That’s only enriched by casting pals Jonah Hill and James Franco as the co-dependent couple, forcing each to not trust and maybe fear the other.
Equal parts sobering and chilling, “True Story” is about the ways journalists are willingly used to get the story. It is “Capote” with a commentary on journalistic ethics, but without the emotional heft.
Hill is Michael Finkel, whose high-flying career as a foreign correspondent is derailed when he conflates characters and events in a story on slavery in modern Africa. He retreats to Montana, to Jill (Felicity Jones), his indulgent but tough-minded significant other.
Then Christian Longo is captured in Mexico City. He was using Finkel’s name because he was on the run. He’s accused of killing his wife and children in Oregon. Finkel is intrigued, beguiled when he meets the quiet and charming Longo (Franco). Finkel still has an eye for the main chance, and this guy is gold. He’s a fan (thus, the assumed name). And he’s willing to talk. To Finkel.
“I can’t tell you what really happened,” the accused killer purrs. “I know what it’s like to avoid the truth.”
Indeed. They both have a feel for that.
Rupert Goold’s more-or-less-true film plays up Franco’s sweetly seductive side, and Hill’s dramatic gift for cold-bloodedness. Franco adds a touch of remoteness, and Hill a calculating undercurrent as these two spar over “the truth,” what the State might be able to prove and what Finkel might know that could turn the case, one way or the other.
The ways the crime is discussed, differing versions of reality, range from heart-breaking to puzzling. Finkel comes off as willing to use everyone — an enterprising local reporter (Ethan Suplee), Longo, law enforcement, even Jill — to get a book out of this tragedy.
But despite Franco’s best efforts, Goold’s film (he co-wrote the script) does a poor job of misdirecting us. The reporter/convict dynamic doesn’t have enough layers to carry the film without some hint of mystery. The relationship between the two, chilling as it is, never raises this “Story” from generic to profound.


MPAA Rating: R for language and some disturbing material

Cast: Jonah Hill, Josh Lucas, Felicity Jones

Credits: Directed by Rupert Goold, script by Goold and David Kajganich, based on Michael Finkel’s memoir. A Fox Searchlight release.

Running time: 1:40

About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine
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