Movie Review: Nicolas Cage has the role of a lifetime in “Joe”

cage“Joe” is the movie that will make you remember how good Nicolas Cage once was and can be again.

A Southern Gothic tale of alcohol, violence, sin and redemption, this David
Gordon Green film gives Cage his finest showcase in years. A harbinger of better things to come, now that he’s hit 50? Probably not. But it’s good to see he still has his curve ball.

Joe in the film is damaged, resigned to the violent streak he knows he must
“restrain,” even at 48. His love of cheap bourbon means he’s never without a
bottle — at home, at work or on the road. He drinks alone. But he’s willing to
make his living by extending a job and a friendly hand to impoverished men, some alcoholics, like himself, men clinging to the bottom rung of the ladder in the corner of rural Texas they all share.
Joe runs a day labor work crew that clears brush and poisons commercially
undesirable trees for a big timber company. He loads up his battered pickup with machetes, “juice hatchet” poison dispensers and eight or so African American down-and-outers every morning that the sun is shining, and they do what the rules-bending timber company wants them to do.
Joe is tough, a man who knows his way around a knife, a bottle, a brothel and
a pistol. He minds his own business and keeps a pit bull chained up in front of
his tumbledown house to make sure others let him. He has a history, which the
movie only hints at — a life he couldn’t hang onto that must have involved a
family, trouble with the law and local trouble-makers who still hate his
Maybe that’s why he takes pity on Gary. The kid (Tye Sheridan of “Mud”) is
only 15, but he’s got it rough. His old man (Gary Poulter) is a brutish, aged
drunk who keeps his drifting family around him even though he has no intentions of supporting them. They’re there, living in squalor, for him to steal from when they have money and to beat when they don’t fork it over.
Joe gives Gary work. And the kid comes to treat this violent, short-fused
alcoholic as a role model, a straight shooter who only insists he look him in
the eye and consider him a friend.
Green, an Arkansas native who made “Undertow” and “All the Real Girls” before Hollywood turned him loose on “Pineapple Express” and “The Sitter,” has an eye for worn Southern faces, and he fills this film with non-actors who have the pot bellies, tortured grammar and bad teeth of rural Southern poverty. There’s rage here, bottled up until, like their latest liquor purchase, it is uncorked. At this level of society, race takes a back seat to focusing on your own daily struggle — to make a little money, get a little liquor, stay out of jail and reach another sunrise.
In houses where old newspapers cover holes in the walls, where everything and
anything that wore out or breaks beyond your limited capacity to repair (cars,
trailers, appliances) is left in the yard, everybody has a gun and a willingness
to use it. Violence hangs over the bars and every conversation and encounter
carries a hint of menace. Who will snap? What will they do when they do?
His down and out work crew knows to “keep it real, with Joe.” So does most
everyone else in town, from Coleman the grocer to the high-mileage madam at the local brothel (Sue Rock). They know his heart. But they also know his moods.
“So, what you got the blues over, Joe?”
Cage, beefy and grey-bearded, moves with ease through this world where Joe
can share a drink with “Blind George,” help neighbors skin a deer (they do it in
their ruin of a kitchen) or take in the trashy but loving Connie (Adriene
Mishler), who needs a break from her mother and her mother’s scumbag boyfriend.
Cage suggests a man who knows he has demons and longs to control them, but is
too old to lose his contempt for those who won’t let him do what he wants. </P>
Green, working from a Gary Dawkins script based on Larry Brown’s novel, has
created Joe’s world from movie memory — a lot of “Undertow,” a little “Prince
Avalanche” — and the simple knowledge of what you find if you get far enough
away from the cities and the interstates in the Deep South. The setting,
characters and story reek of authenticity.
And most authentic of all are Wade, the stumbling but cunning old man, and
Joe, outwardly kind, but a powder keg who never named his dog because to him, a pit bull is merely another instrument of violence.
Poulter, a real-life homeless man who wears a hard life in every wrinkle on
his weathered face, has eyes that give away cutthroat cunning and guilty
resignation. He died after filming this.
And Cage, playing Joe close to the vest, gets across a character and a code
that he and we know will be tested by Gary and Gary’s family. Cage lets us see
the struggle and envision the reckoning to come as only a man with Joe’s
mysterious history can.

MPAA Rating:R for violence, disturbing material, language and some strong
sexual content
Cast: Nicolas Cage, Tye Sheridan, Gary Poulter, Adriene Mishler
Credits: Directed by David Gordon Green, screenplay by Gary Dawkins based on
a Larry Brown novel. A Roadside Attractions release
Running time: 1:57

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2 Responses to Movie Review: Nicolas Cage has the role of a lifetime in “Joe”

  1. Thomas says:

    The problem with Nic Cage is that he’s a character actor that Hollywood has been trying to shove down people’s throats as a leading man for the past 15 years. The guy can turn in some pretty incredible performances when he chooses the right scripts and directors.

    • Cage told me once in an interview that he works just to get out of his own head. So, A) he needs the money, B) he has to get out of the house and C) he’s kind of a mess, acting helps him cope. He works too much, but he has his reasons.

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