Monthly Archives: October 2021

Many a long, poetic scene decorates the John Patrick Shanley (“Moonstruck”) Irish romance “Wild Mountain Thyme,” just two characters talking, the way the Irish do, about “waiting” which the Irish also do. That might explain why this light charmer starring … Continue reading →

A lot more license might have been granted the randy, horny teenagers farce “Our Ladies” had it started life as a novel by a woma, and reached the big screen with, you know, a woman or two on the script … Continue reading →

Jacob Fortune-Lloyd of TV’s “Queen’s Gambit” landed the lead. Here’s a look at him in character, and at the real Beatles manager Brian Epstein — dapper, gay, classy and canny — whom he’ll be playing. Rosie Day (“Outlander”) just joined … Continue reading →

In the late spring of 1951, John Ford and his repertory company decamped from Monument Valley and Hollywood and took passage — paid for by B-Western house Republic Pictures — to The Old Country, the Eire of John Ford’s imagination. … Continue reading →

The perfect finish to a travel day is thus soured by Netflix’s stinginess with its archive. Pity. Amazon it is, then?

“The Forgotten Battle” is about a postscript to Operation Market Garden, that late World War II gamble by the Allies to free Arnhem, liberate the Netherlands and shorten the war. That’s not “forgotten.” There was a movie about that debacle, … Continue reading →

An animated comedy of mixed messaging, thin humor and indifferent entertainment value, “Ron’s Gone Wrong” still has every chance of winning younger viewers over with its heart. That depends on how much affection kids can summon up for a cute … Continue reading →

Lambert Wilson, a veteran French character actor with “Sahara” and “The Matrix” franchise credits, looks and sounds enough like the World War II leader and later French president Charles de Gaulle that no strain shows as he acts out the … Continue reading →

Actor-turned-director Christian Nilsson had a great idea when he set out to do an homage to Brian DePalma’s classic political thriller “Blow Out,” itself a riff on Michelangelo Antonioni’s “Blow Up,” also a classic. The hook — that something deadly … Continue reading →