Monthly Archives: March 2022

A high end housing development is going up on a big British farm that changed hands under unsavory circumstances, a development resented by locals, including the family that lost that farm, and all on ancient land with Druid legends attached … Continue reading →

This looks like a splattered, splintered hoot with a helping helping of “G’Dye.” April 14, “Wyrmwood” comes to Dunsinane…of Brisbane. Crikey!

The 2020 Czech drama “Servants (Sluzobníci)” could not be a more timely home streaming release, it being a drama set not long after the 1968 Warsaw Pact, aka “Soviet Union” aka “Russian” invasion, “regime change” and occupation of Czechoslovakia. Director … Continue reading →

A practice engrained by years in newspapers has me avoiding the use of staged/photoshopped promotional photos for reviews of films. But this image so perfectly encapsulates the Japanese weeper romance “Love Like the Falling Petals,” that avoiding it wouldn’t be … Continue reading →

In a streaming universe where whole channels are devoted to music documentaries, it’s inevitable that almost any band you an think of, any band anybody cares about, is going to merit a film telling their story. Many of these films … Continue reading →

This is the golden age of binge watching and streaming series. But I find the storytelling cliffhanger formulaic. And reviewing series is time consuming, and the reviews typically have no shelf life. So I try not to invest in many … Continue reading →

Michael Bay and Gyllenhaal and Yahya Abdul-Mateen II and Eiza Gonzalez…April 8.

An Italian period piece/fantasy of romance, treasure, pistols and crabs. This one opens April 15. Oscilloscope has “The Tale of King Crab,” and you know how I feel about them.

A mushroom expert bonds with a runaway he meets in the woods collecting mushrooms in “The Issue with Elvis,” a milder-than-mild-mannered family drama set in wild, wonderful West Virginia. The drama is low-key/low-stakes, the pace is leisurely and the dialogue … Continue reading →

Film and the culture it reflects tends towards gross oversimplifications. When a terrible crime happens, we want it explained. We want to know what “triggered” this person, what made them “finally snap.” The truth is always muddier, more complicated. Sometimes, … Continue reading →