Daily Archives: April 19, 2022

Shockingly, movie theater wine from a can…

Posted on April 19, 2022 by Roger Moore

…tastes like wine from a can. Stick to bottles, “Bev.” And maybe hard seltzer or some such.

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Next Screening? At long last, “The Unbearable Weight of Massive Talent”

Posted on April 19, 2022 by Roger Moore

I’ve had a couple of other chances to catch a preview of this one, but things came up, and I almost can’t bear to see it. The risk of letdown is high. But let’s hope for the best and hang … Continue reading →

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Movie Review: If You Thought Celine Dion was campy, wait’ll you catch “Aline”

Posted on April 19, 2022 by Roger Moore

The first time you see “the effect,” you’ll puzzle over the “Benjamin Button” idiocy of it all and ponder “What in the French-Canadian F is this?” Because SOMEbody thought the idea of digitally de-aging and shrinking the star of “Aline” … Continue reading →

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Next screening? “Aline,” aka Celine whose “heart will go on”

Posted on April 19, 2022 by Roger Moore

Celine seems to be having a moment. Couple of pictures feature her or her music in the storyline.

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Movie Review: Japanese navigate and dine to feed their “Sexual Drive”

Posted on April 19, 2022 by Roger Moore

The director of “The Torture Club” and “Love Disease” is back for another dainty dip into the deep end of Japanese kink with “Sexual Drive,” a droll triptych of food, sex and perverse manipulation. In “Remembrance of Things Past,” Marcel … Continue reading →

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Movie Review: Young Love Among the Ruins — “The White Fortress (Tabija)”

Posted on April 19, 2022 by Roger Moore

We don’t see the moment she first caught his eye. But she did. And we see how he instinctually conspires to literally “bump into” her. He is young. She is younger. And in a flash he’s turned his “rude” bump … Continue reading →

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