Monthly Archives: April 2022

“Cobalt Blue” is an Indian “Call Me By Your Name,” a gay lad’s sexual coming-of-age tale that shares torrid sexual encounters and a few other details from the André Aciman novel that screenwriter James Ivory turned into Oscar bait film … Continue reading →

“Mothering Sunday” is a somber, sad tale of the gutting emptiness of loss, the unspoken-of absences of everyone who died in The Great War as remembered by an adult writer who saw this all first hand during her years “in … Continue reading →

This started life as a short and evolved into a feature film, an “interview” with the titular mollusk, with the voices of Jenny Slate, Isabella Rossellini, Thomas Mann and as the interviewer, Leslie Stahl. A24 has this one, due to … Continue reading →

“Night Moves” is one of those ’70s to early ’80s Hollywood noirs you channel surf by, get a taste of and say “I need to come back and catch this bad boy from the beginning.” It’s got Gene Hackman, stepping … Continue reading →

“These are grownup issues,” the big, bad Big Energy dude tells the 12 year-old Dutch girl. He mutters something about her “arrogance” and childish, limited world of the world. But this lying Dutchman doesn’t know Nova (Kika van de Vijver) … Continue reading →

He’s the teaser advert video revealing the theme, the vibe and the ’70s music (of course) that makes it “Guardians” branded. C’mon. You’ve gotta visit Disney World before Governor Il Douche shuts it down.

Fresh out of college, I used to conduct and produce interviews for public radio stations. And one thing one quickly picks up on from such a job is an instinctual skepticism when chatting up say, the head of MUFON, the … Continue reading →

An American Japanophile’s deep dive into the Tokyo underworld becomes an entertaining and intriguing mob mystery in “Tokyo Vice,” a new series on HBO Max starring Ansel Elgort, Ken Watanabe and Rinko Kikuchi. It’s immersive and engrossing, if more conventional … Continue reading →

Dominic Sherwood stars in this action revival. And honestly, there’s not a familiar name or face in it, than I can see. South African set, straight to Warner Brothers video.

The review embargo for this HBO Max series about an American reporter covering the Japanese mob for a Japanese newspaper is Monday afternoon. But before one writes the review of Ansel Elgort’s series set in the Japanese underworld, one must … Continue reading →