Monthly Archives: October 2022

There’s a stately, old-fashioned gentility to “My Policeman,” a period piece romance from the days when homosexuality was “The love that dare not speak its name” in the United Kingdom. It’s the sort of tragic gay melodrama that stood out … Continue reading →

Julia Roberts and George Clooney wring every last drop of good will and good humor out of their long friendship and screen personas as estranged exes who join forces to stop their daughter from marrying too impulsively and too young … Continue reading →

Promoter, wrestler, actor and producer Dwayne Johnson swoops in to give DC and struggling cinemas a hand with a super hero movie this weekend. Let’s see if it’s worth any hoopla, shall we?

The great New Orleans trumpeter Wynton Marsalis remembers the times his father Ellis suggested he take another look and listen to the jazz of “Pops,” Louis Armstrong. To Wynton and generations of African Americans who only knew Armstrong through is … Continue reading →

“American Murderer” is a workmanlike “true crime” thriller about the hunt for con-man turned accused killer Jason Derek Brown. Writer-director Matthew Gentile’s feature debut, following a short film he did on the subject, attracted plenty of talent — with Ryan … Continue reading →

March 23, an ex-con installment in the Never Ending Boxing Story.

This Cannes award winner, a seriocomic odyssey from veteran Polish filmmaker Jerzy Skolimowski, opens in select cities in early December. Looks lovely.

The debut feature of Scottish director Charlotte Wells is a meditation on memory, a woman selectively remembering a vacation with her father from twenty years before, sifting for clues about what she might have missed. “Aftersun” gives us only a … Continue reading →

It’s often hard to gauge whether or not a comedy is going to land judging by the trailer. Cut together as a punchy highlight reel of zingers, pratfalls and eyerolls, most any editor can make any movie with just a … Continue reading →

Veteran German documentarian Heinz Emigolz’s “The Last City” is an interlocking series of conversations with actor/characters taking us from Israel and Serbia to Greece, China and Brazil in a quintet of vignettes that seem to have only the loosest connections. … Continue reading →