Monthly Archives: February 2022

“Anne +,” titled “Anne+ : the Film” on Netflix, is a Dutch journey of queer self-discovery that travels the vast distance between point A and point B. Yes, that’s sarcasm. It’s another light dip into a gay culture, this one … Continue reading →

Tom Holland the laws of physics both take a licking and keep on ticking in “Uncharted,” Sony’s big screen adaptation of the Sony video game starring Sony’s Spider-Man. Holland’s kinetic turn as the young pickpocket/historian and bartender turned adventurer is … Continue reading →

Sometimes, avoiding the “dating scene,” recognizing that maybe “You don’t need a man in your life” can be good advice. Particularly if Daisy Edgar Jones’ character “connects” with a guy like the dude Sebastian Stan plays in “Fresh.” This horrific … Continue reading →

Sharlto Copley takes us inside the head of infamous, murderous crank Ted Kaczynski in “Ted K,” a straightforward and yet surprisingly disturbing look at the man the FBI labeled and hunted as “the Unabomber” for some 17 years. What’s surprising … Continue reading →

“Too Cool to Kill” is a gonzo pastiche of genres, a goofy, gorgeous and almost deliriously dizzy send-up of everything from “El Mariachi” to pretty much every gangster movie John Woo ever made. And God knows, we all love John … Continue reading →

Sharlto Copley dives into the pathology of the math prodigy turned hermit who unleashed terror from a tiny shack in the woods of Montana.

This is heavy on exposition, a trailer explaining the Doctor’s state of mind and course of action. Eye popping, of course. Cerebral? Cumberbatch lends it that. Easter Eggs? It wouldn’t be a Marvel trailer if it didn’t have a few … Continue reading →

Some comedies get bonus points for merely existing, for the simple fact that somebody thought the idea of a Wiccan, a witch running his own coven, being outed as his high school homecoming king and voted “most likely to succeed” … Continue reading →

Channel surfing Valentine’s Day lured me back into “Two for the Road,” a sophisticated and sweet “road comedy” that altered the genre for half a century afterward. Sure, “It Happened One Night” was the Ur film of this genre, dating … Continue reading →

It may be simplistic in the way it covers an infamous mass industrial poisoning and cover-up, in tidying up the untidy “relationship” part of the story. And “Minamata” may star Johnny Depp, an actor given to making drunks “cute,” and … Continue reading →