Monthly Archives: March 2016

“Take Me to the River” is a quietly disturbing slice of Southern Gothic that isn’t Southern at all. It’s a Nebraska-California culture clash/sexual abuse story confined and contained in a single family, on a family farm over a reunion/birthday celebration … Continue reading →

The rise and fall of cyclist Lance Armstrong earns a brisk and surprisingly nuanced treatment from director Stephen Frears in “The Program.” The veteran Frears, of “The Queen”, “The Grifters,” “High Fidelity” and “Philomena,” finds the good and bad in … Continue reading →

It’s got the always-funny Sam Rockwell and Jemaine Clement, Will Forte and Danny McBride in it. And the can-be-funny Amy Ryan and Leslie Bibb show up in support. The team behind “Napoleon Dynamite” and “Nacho Libre” wrote and filmed it. … Continue reading →

Disney is making bank with “Zootopia,” which is managing better second weekend numbers than I would have figured. A 35% or so fall-off, a $51 million weekend. Viewers responding to its anti-fear, anti-bigotry, anti-elephants refusing to serve animals who are … Continue reading →

Christian believers can take comfort in the fact that Hollywood hasn’t forgotten how to make old fashioned Biblical epics. Starting with “The Nativity Story” a few years back, and continuing through this year’s surprising “Risen,” studios have been able to … Continue reading →

Once more, dear friends, to “Cloverfield” we go. Another trip into monster-movie land. Another blast of J.J. Abrams hype. Another movie floated to us in an attempted sea of secrecy. Does it live up to the brand, the hype, the … Continue reading →

Exotic India! Well, HERE’s a place to set a horror story! A new place, a new sort of story! It’s all RIGHT THERE on “The Other Side of the Door.” Only it isn’t. Here’s another dead child story with the … Continue reading →

  Monty Python’s Terry Jones uses puppets as a way of livening up a talking-economic-heads documentary about capitalism’s psychology-driven business cycles in “Boom Bust Boom.” But the biggest smirks in “Boom Bust Boom,” an otherwise most informative explanation of why … Continue reading →

It’s a cut throat industry, that music business. Infested with sharks, drowning in money and drugs, easy sex, a world of “loaded dice and poisoned chalices,” where success is dictated by luck or timing. It’s a wonder anybody gets out … Continue reading →

What kind of mother names her son “Eloi?” You know, after the pretty, gullible, post-humanity humans of H.G. Wells’ “The Time Machine”? The sort of woman who then nicknames the kid “Lolo” and is shocked when that poor judgment pays … Continue reading →