Author Archives: Roger Moore

Classics, international and esoteric film distributor Kino Lorber restored this 1982 Western adventure starring Richard Farnsworth. A 4K makeover for one of the best Canadian films ever.    

A young opthamologist-in-training is coveted by a suicidal demolition contractor while both are treated by an on-the-spectrum therapist whom the young woman pretends to lust after in “Love is Blind,” a romantic comedy that could not be more “twee” if … Continue reading →

Dreya Weber of “The Gymnast” moves on to aerial work in this romantic drama, coming to video in a couple of weeks.  

A few striking images stand out in “Union Bridge,” the debut mystery thriller of writer-director Brian Levin. And he ensures we have lots of time to consider them. We soak up atmosphere on endless, pointless walks along the railroad tracks, … Continue reading →

Bit of a different look for both James and McHale, a horror revenge thriller. There’s not a lot of wit or menace in this first trailer to “Becky,” which stars Lulu Wilson as the 13 year old who is more … Continue reading →

David Spade tries to be the funny (ish) straight man to a funnier co-star one more time in “The Wrong Missy,” a Lauren Lapkus star vehicle so vulgar it’d make Mindy Kaling blanche. It’s as polished as an oil spill, … Continue reading →

  Here’s the thing, the only thing, that got me through “Don’t Run,” 78 minutes of bad-flirting-with-merely-mediocre horror from writer-director Ben Rood. His leading man, Danny Irazarry, looks and sounds a lot like Hal Hartley’s deadpan muse, James Urbaniak. It … Continue reading →

That’s the gist of this Hollywood Reporter piece. “A theatrical release increases the value of a film, throughout the value chain,” says Christian Bräuer, president of European art house cinemas group CICAE. https://t.co/X2QifYJU4T https://twitter.com/THR/status/1260574005863514120?s=20

The documentary as memoir may be the trickiest to pull off. In an era when obsession with “personal story” and “personal struggle,” it’s difficult to make one that stands out from what sounds like a chorus of Pavorittis warming up … Continue reading →

Even indie films can be “high concept,” a movie whose premise can be summed up in a single, short sentence. “Phoenix, Oregon” is “Big Night” in a bowling alley. That 1996 dramedy, with Stanley Tucci and Tony Shalhoub playing two … Continue reading →