Author Archives: Roger Moore

July 1, a pic about a crowded freeway and Russell C. as that a-hole in a pick-em-up truck you don’t want to be tangling with. Will theaters open in time for this?

The eye-roll, that universal symbol for “You gotta be kidding me,” gets a fearsome workout in “Si, Mi Amor,” a candy-colored rom-com bauble from Peru. It’s as if the cast recognizes that many of the comic tropes and gender stereotypes … Continue reading →

There must be a template in a screenwriting textbook, or a “Thriller Writing for Dummies” edition that has to “protagonist finds a BUTTLOAD of cash” scenario that every lazy hack under the midnight sun can use as guideline. Because heaven … Continue reading →

If “accuracy” should never supersede the demands of “story” in a screen biography, then Josh Trank’s “comeback,” an account of the last months of mobster Al Capone’s life, can be dismissed as a total write-off. Starring Tom Hardy in a … Continue reading →

How bad is the Colombian farce “No Andaba Muerto, Estaba de Parrando,” clumsily translated to “Death Can Wait” on your English language Netflix menu? After flailing away for what seems like forever, setting up “You have six weeks to live” … Continue reading →

Filmmaker takes 40 years to years to film and finish his documentary on the great writer. Reminds me of the stories about Henry Jaglom and Peter Bogdanovich, always recording and filming as they cozied up to Orson Welles. Will this … Continue reading →

He doesn’t compose songs or write lyrics. Yet. But is there nothing this man cannot do? https://www.instagram.com/tv/B_8IgCmHFuC/?utm_source=ig_embed

A few months before “The Prize Winner of Defiance, Ohio” came out on film, the publisher and releasing studio (Dreamworks) sent me the book, Terry Ryan’s memoir of growing up in a dysfunctional yet functioning family in the 1950s and … Continue reading →

Don’t you just hate it when a tearjerker works? The manipulation’s built-in, understood, right there in the open for you to put up your guard against. And then…dammit. Netflix put “18 Presents (18 Regali)” on its menu just in time … Continue reading →

“Castle in the Ground” is the simplest of rescue parables. A young man devotes himself to saving his dying mother. And when that fails, this teen in shining armor starts using mom’s leftover painkillers. That’s what changes his focus to … Continue reading →