Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Movie Review: “22 Bullets,” and why I just love that Jean Reno

For a fan, there’s nothing more delightful than stumbling across an action title — or a comedy, a romance, whatever — that you’ve missed starring the French monument to modern cinema, Jean Reno. Because how many times can I re-watch … Continue reading →

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Movie Review: Oh my (same-sex) darling “Clementine”

All right, settle down, settle down. Don’t get your Tommy Johns (women’s, or men’s edition) in a titillated twist. The come-on for “Clementine,” which could be “licentious young lesbians libidinously lead us on,” is just that, the old bait-and-switch. It’s … Continue reading →

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Netflixable? “The Legacy of the Bones” (“Legado en los huesos”), more witchy goings-on in Spain

Watching the Spanish thriller “The Legacy of the Bones” is a bit like having a conversation with an elderly relative. Endless exhausting digressions, a phone book full of characters with speaking parts, scenes that merely underline what’s already been established … Continue reading →

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Preview: Netflix’s “HOLLYWOOD” flips the script on “Scotty and the Secret History of Hollywood”

There’s little doubt who and what inspired Ryan Murphy’s new series “Hollywood” on Netflix. It was the scandalous book and doc and claims of “Scotty and the Secret History of Hollywood.” The series is about what Murphy, of “Glee” and … Continue reading →

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Movie Review: Chinese and in Japan? He’ll never fit in without “Complicity”

The human migrant experience has a universality that spans continents and cultures, that connects the poor Guatemalan fleeing violence and the Indian hoping to escape to opportunity. Desperation, exploitation, the pull of assimilation battling the comfort and “safety” of hanging … Continue reading →

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Netflixable? Can this sexist, bullying “Jefe” be saved?

On this side of the Atlantic, we expect our comedies to at least pay some lip service to “woke.” Even the cringe-worthy ones. So an “Office” comedy like “Jefe,” from Spain, should best be compared to say the BRITISH version … Continue reading →

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Classic Film Review: Caron and kids treat Cary Grant as “Father Goose”

Cary Grant was 60 years old, grey and most comfortably cast in grumpy curmudgeon roles by the time the 1964 comedy “Father Goose” was tailor-made for him. But watch him nimbly scamper down beaches, over branches and around coconuts, through … Continue reading →

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Movie Preview: ’80s Nostalgia, served up squishy and Disney-friendly in a “Valley Girl” remake

Just listen to this one without watching it. The insipid remakes of ’80s pop classics tells you all you need to know. Orion Pictures made this May 8 remake. Alicia Silverstone is the nostalgic mom of a teen. Jessica Rothe, … Continue reading →

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Netflixable? Brit Gangsters miss Guy Ritchie in “Once Upon a Time in London”

Oozing with atmosphere and dripping with violence, “Once Upon a Time in London” aims to deliver a 30 year history of the London Mob. Or Mobs. Starting in the Great Depression, with Jewish mobsters brawling in the streets with British … Continue reading →

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Classic Film Review: Rosalind Chao, Chris Cooper, an East-meets-West Western, “Thousand Pieces of Gold”

Not many people saw “Thousand Pieces of Gold” when it hit theaters in 1991, although more saw it when it aired on the PBS indie cinema series “American Playhouse.” It’s worth remembering and revisiting as an example of the ambition … Continue reading →

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