Category Archives: Reviews, previews, profiles and movie news

There’s warmth and a delightfully prickly edge every time James Caan and Tom Hollander square off in the Holy Land in the dramedy “Holy Lands.” Harry (Caan) is a salty New York Jew who has relocated to Israel to raise … Continue reading →

And so the filmed letters to cities and lovers in those cities that began with “Paris, je t’aime,” ambled into “New York, I Love You” and ventured to “Rio, Eu Te Amo” finds its way to Deutschland with — wait … Continue reading →

Tiffany Haddish is the big name in this “pranks with a hint of plot” comedy of the “Jackass” variety. A little dressing down and acting cray cray makes one turn down a kiss from Tiff? I laughed.

“Child’s Play” and “Chucky” so permeated our consciousness as to become cultural punchlines that outlived his 20 year run in horror films, beginning in 1988. We know what to expect when we hear about a reboot and clap our hands … Continue reading →

The spy/assassin thriller “Anna” opens in 1985, flashes forward “five years later,” then flashes back “three years before,” then forward months, backward “three months earlier,” back and forth repeatedly all the way to the damned closing credits. It’s no wonder … Continue reading →

  Details details. A darkly comic fable about two archangels…one’s a demon actually…rivals through eternity, teaming up at long last to save humanity from the Antichrist has Christians protesting and threatening a boycott. They haven’t seen it. They don’t even … Continue reading →

Thomas Haden Church also stars. None of them have Downs Syndrome, so this “Huck Finn Meets Rain Man” road picture Odyssey has an “introducing Zack Gottsagen” co-star. Looks adorbs. August. Roadside Attractions has “The Peanut Butter Falcon” so nobody will … Continue reading →

Why wasn’t “Anna” shelved? Luc Besson, the great French action auteur, has long had one of those creepy whispered-about reps. He was married to Milla Jovovich for a bit, often built his thrillers around barely-age-of-consent actresses (“Leon: The Professional” sexualized … Continue reading →

Jaqueline Fleming can handle fight choreography. The low-budget thriller “Atone” proves that. She should be able to assemble a fine audition reel of her sweep kicks, flips (while firing a gun) and cartwheels while battling her way through bad guys … Continue reading →

And it isn’t just Miley Cyrus who says so, either. This mobster with amnesia thriller is earning late August (dumping ground) release. But we’ll see.