Category Archives: Reviews, previews, profiles and movie news

My pal over at Exhibitor Relations Co. (@ERCboxoffice) just tweeted this post “Mulan” move and new “Bill & Ted” delay. The fall is shaking up as well as some movies are just pushing into early 2021. And damnitall, I have … Continue reading →

Coming next month to Arrow Video streaming. Don’t judge me.

“The Royal Hibiscus Hotel” is a shiny, foodie-friendly bauble of a rom-com, practically a brochure for Nollywood, the nickname the rest of the world has given Nigeria’s film industry. The acting’s uneven, the story limp and generic. And like a … Continue reading →

This is a grimly prescient disaster pic from STX. Gerry Butler is an Orlando area husband and dad (I can totally see that.) who tries to get his family to safety. When you name a comet “Clark,” who’s that going … Continue reading →

My bucket list quest to see every road picture ever made brought me to this dry and dark comedy from 2008, a tale of a vintage car dealer and a junkie trekking across Belgium in a 1979 Caprice Classic station … Continue reading →

There are funny lines, hilarious scenes and the occasional blast of gleeful, Eurovision excess rolled into “Eurovision Song Contest: The Story of Fire Saga.” Sure, it’s an old school “high concept” star vehicle — a lot like many an earlier … Continue reading →

The disastrously disorganized American response to the COVID19 pandemic has me wondering if July is another write off month for the movies, sports, the works. Case numbers are skyrocketing in Florida and other states, a first wave that morphed into … Continue reading →

The sweeping title “Shanghai Triad” always promised a more epic film than the great Zhang Yimou gave us. But this intimate, ornate and melodramatic gangland tale has glories all its own. And while Zhang was the master of scale in … Continue reading →

August 7 this little stroll down music’s memory lane rolls out, a doc about the “alternative” to Rolling Stone, a rowdy little rag full of misfits, rudeness and cheerleading for many a band eschewed by Jann Wenner’s army of taste-setters. … Continue reading →

For me, a key moment in “Disclosure” TRans Lives On Screen,” the new Netflix documentary about transgender progress and trans representations in film and media, comes when trans actor Brian Michael Smith breaks down the woman-pretending-to-be-a-man-pretending-to-be-a-woman business that drives the … Continue reading →