Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Movie Preview: Psychologist Gere probes the minds of Dinklage, Goggins and Whitford — “Three Christs”

A group therapy period piece with an all-star cast, including Julianna Margulies and Jane Alexander, “Three Christs” follows an early attempt at “understanding the delusions” of three men in a mental hospital in 1950s Michigan. Peter Dinklage, Bradley Whitford and … Continue reading →

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Netflixable? Scorsese’s eulogy for “The Irishman”

  Martin Scorsese’s “The Irishman,” his epic telling of one mobster’s rise through the ranks to the moment Jimmy Hoffa disappeared, is his coda, his final statement on the mob movies he built his career on. It’s Scorese’s “Unforgiven,” a … Continue reading →

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Netflixable? “Holly Star” tries to put the “cute” back in Christmas comedy

Here’s what the holiday romance “Holly Star” has going for it. There’s an exotic setting — coastal Maine at Christmas. The heroine, Sloan (Katlyn Carlson), has an unusual career. She’s abunraku stick-puppet puppeteer. Speaking from experience as a journalist, I … Continue reading →

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Movie Review: Ruffalo and a fine cast navigate the legal hazards of “Dark Waters”

In your typical legal thriller, John Grisham or Scott Turow steer us from explosive twist to twist, finishing with a courtroom coup de grace and some version of justice achieved. But in the real world, the law can involve tedious … Continue reading →

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Netflixable? Kerry Washington wants to know where her “American Son” is

And here we thought Netflix was just “disrupting” TV and film distribution! They’re going after The Theatre, too. Or they might as well be, taking on a preachy, stagey, acting (and over-acting) showcase like “American Son.” It’s a tale told … Continue reading →

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Michael Caine, Lena Headey, an “Oliver Twist” sells to a small distributor

Variety is reporting this latest telling of Dickens’ classic is going to Saban Films. It’s a modern say version, so fear of finding an audience for a period piece doesn’t figure into why a major studio didn’t grab it. https://t.co/VR4gJau9Jc … Continue reading →

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Movie Review: James’ Addiction tears him into “A Million Little Pieces”

James Frey’s “A Million Little Pieces” has been discredited as a memoir of addiction. He made too much of it up for it to be “non-fiction.” “Confessional novel?” Maybe. Got him kicked out of Oprah’s Book Club, because gosh darn … Continue reading →

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Netflixable? “Brother (Mon frere)” tells a tale of juvenile justice in France

The French drama “Mon frère” (“Brother”) is a “boys in juvie” drama, a genre pic about what happens in juvenile detention, or “Youth Custody Center” as the French call it. It’s a sympathetic portrait about a system built to intervene … Continue reading →

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Next screening? “DARK WATERS

A little righteous legal crusade for your holiday awards season enjoyment. Sell out lawyer finds his soul in fighting a company that kills people. Good to see Mark Ruffalo joint Scarjo and Chris Evans in finding worth while films outside … Continue reading →

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Movie Review: The epic awfulness of “The Madness Within”

It’s not the constant snorting, sniffing and nose-rubbing after the snorting and sniffing. It’s not drinking, the endless, pointless sexcapades and grasping for ‘decadence.’ It’s not the vomiting after indulging, either. Vomiting and vomiting and sniff sniff sniff more vomiting. … Continue reading →

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