Author Archives: Roger Moore

You kids probably don’t remember “The Cross and the Switchblade,”a 1970 faith-based film that leaned heavily on “West Side Story” for its setting, Pat Boone and Erik Estrada as its preacher and gang-bangers, and every movie Billy Graham ever made … Continue reading →

I’m looking over, a bomb named “Clover,” that you all should sure ignore… Man, just when you think a bloody-minded mob comedy can’t get any worse, here’s one that lowers the bar, time and again. Jesus, Mary and Joseph Mantegna, … Continue reading →

“Waldo on Weed” takes its title and its tone from its host and star. Brian Dwyer starts the film as a media-savvy Philadelphia pizza entrepreneur, a thin ginger-bearded goofball who knew how to get attention for Brain Pizza, his landmark … Continue reading →

The trouble with buying into “dog eat dog” social Darwinism, the sort of mindset it takes to become a survivalist, is making that leap to accepting and becoming a “dog” yourself. That’s subtext of many of “Man Hunts Man” thriller, … Continue reading →

The extras sit at a table in the shadowy foreground of Rick’s Cafe Americain. She sees him doodle in a sketchbook, an image of a man in a strange uniform with distinctly pointy ears. What’s his connection to the movie? … Continue reading →

I hadn’t seen the absurdly entertaining British WWII film “The 49th Parallel” in ages, probably not since AMC was “American Movie Classics” and showed, you know, movies. And the first thing that strikes you watching this self-described “propaganda film” today … Continue reading →

Variety_Film (@Variety_Film) Tweeted: Film New Roundup: Animated Movie ‘The Queen’s Corgi’ Fetches North American Distribution https://t.co/f0nCkUKi6e https://t.co/2nYT9Bl0FB https://twitter.com/Variety_Film/status/1243706128694784000?s=20

“Uncorked” pops, straight out of the bottle. A culture-clash comedy that throws African American Memphis BBQ culture into the snooty world of fine wines and the ordained high priests of that world — sommeliers — it has laughs and just … Continue reading →

While most film buffs have seen the post-war classic “Whisky Galore!”, a later comedy by Ealing Studios’ acknowledged Master of Twee and Laird of Laughter, Alexander Mackendrick, might have slipped by you. “The Maggie,” cleverly re-titled “High and Dry” when … Continue reading →

If the production design of the modest-budget space thriller “3022” is particularly impressive — an underlit space station of worn gear, lived-in living spaces and a touch of grime — that’s no accident. David Dean Ebert, art director on TV’s … Continue reading →