Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Classic Film Review: George C. Scott is the “Transporter” in a much older BMW for “The Last Run” (1971)

Posted on February 8, 2025 by Roger Moore

“The Last Run” is a tidy if not exactly tight template for generations of “driver” movies to come. Here is George C. Scott as the original “Transporter,” taking out and thrashing a collectible BMW from Portugal to the Pyrnees all … Continue reading →

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Netflixable? Amy Schumer toys with being “Kinda Pregnant”

Posted on February 7, 2025 by Roger Moore

It seem unfair that Amy Schumer‘s moment as America’s resident vulgarian and Queen of Crude has passed. We barely remember she was the Oscars hostess the night Will Smith slapped Chris Rock, that “Trainwreck” came out ten years ago and … Continue reading →

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Movie Review: “Love Hurts,” and this review may sting a little, too

Posted on February 7, 2025 by Roger Moore

“Love Hurts” is the first true star vehicle for former child actor turned Oscar winner Ke Huy Quan, who takes his shot at carrying a movie with an action comedy about a mild-mannered realtor who used to be an enforcer … Continue reading →

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Movie Review: V-Day Romance Slathered with Slaughter — “Heart Eyes”

Posted on February 7, 2025 by Roger Moore

A clever-enough conceit, engaging leads and a masked villain of the Jason/Michael Myers/”Scream” variety might be enough to recommend “Heart Eyes,” a “rom com for Valentine’s Day” for the splatter film crowd. Hey, everybody needs a “date movie,” right? It’s … Continue reading →

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Documentary Review: “Bonnie Blue: James Cotton’s Life in the Blues”

Posted on February 6, 2025 by Roger Moore

The bluesman James Cotton was the son of a sharecropping Mississippi Baptist preacher and a mother who played the harmonica. And when they died when he was quite young, he picked up his mother’s harmonica and used it to play … Continue reading →

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Classic Film Review: The Sexual Sensory Overload of “Black Narcissus” (1947)

Posted on February 6, 2025 by Roger Moore

Long regarded as “the most beautiful film ever shot in color,” Michael Powell and Emeric Pressburger’s “Black Narcissus” remains a feast for the eyes, one unspoiled by the knowlege that most every dazzling image put on the screen was manipulated, … Continue reading →

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Netflixable? Korean expats figure out “Bogota” is the “City of the Lost”

Posted on February 5, 2025 by Roger Moore

“Bogota: City of the Lost” is an underworld “how criminals crime” procedural with an exotic setting and fish-out-of-water characters but no pace or narrative drive worthy of its novelty. A tale that is voice-over-narrated to death by our smuggler-on-the-rise, it’s … Continue reading →

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Movie Preview: “Jurassic World Rebirth,” a waste of Scarlett Johansson and Mahershala Ali?

Posted on February 5, 2025 by Roger Moore

Rupert Friend and Ed Skrein are the other big names in this reboot of the venerable franchise. But ScarJo and Oscar winner Ali stand out. He could use a big pagday, I dare say. Johannson? If this is the way … Continue reading →

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Movie Preview: Public Domain “Popeye?” “Shiver Me Timbers,” the Red Band Trailer

Posted on February 4, 2025 by Roger Moore

So this is a hard-R rated trailer for the kiddie cartoon hero Popeye the Sailor Man, a character that moved into the public domain — like Winnie the Pooh, et al — and is now up for grabs for a … Continue reading →

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Movie Preview: Waitress by day, Lady Wrassler by night at a time when being “Queen of the Ring” was Illegal

Posted on February 4, 2025 by Roger Moore

Emily Bett Rickards (“Arrow”) stars as real-life wrestling pioneer Mildred Burke in this 1930s period piece, with Josh Lucas as the manager who believes in her and Francesca Eastwood, Walton Goggins and Tyler Posey in support. This opens March 7. … Continue reading →

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