Tag Archives: film

BOX OFFICE: “Odyssey” Sails on, “Hadestown” Cracks the Top Five

Posted on July 25, 2026 by Roger Moore

The second weekend of Christopher Nolan’s latest epic and latest blockbuster “The Odyssey” earned  $87 million at the North American box office. As it opened at $123.5 million last weekend, that’s a stunningly small 30% from its big fat take … Continue reading →

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Movie Review: David Morse Carries the Weight of a “Broken Land” along the Southern Border

Posted on July 20, 2026 by Roger Moore

There’s not much new that the movies can say about the open political sore that is immigration policy and realities along America’s southern borders. The preponderance of movies on the subject have historically been pro-immigration, not a stretch for a … Continue reading →

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Classic Film Review: A Brit DJ with a Dead Brother hears the Birth of New Wave — Turn Your “Radio On”

Posted on July 19, 2026 by Roger Moore

“Radio On” is an archetypal ’60s “art film” mystery drama released on the cusp of the New Wave ’80s. The tone is downbeat, the story and performances are minimalist and the narrative is literally driven by a 1960 Rover 80 … Continue reading →

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Movie Review: Black Teen faces the trials of being a “Mississippi Scholar”

Posted on July 12, 2026 by Roger Moore

Earnest, preachy and melodramatic to a fault, “Mississippi Scholar” is exactly the sort of movie that the independent cinema was born to create. Director and co-writer Marcus Bleecker’s film may traffic in tropes and cliches. But it has a vivid … Continue reading →

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Classic Film Review: Edwards and Sellers crash “The Party” in Hollywood (1968)

Posted on July 4, 2026 by Roger Moore

A wicked thought crossed my mind midway through re-watching the Blake Edwards/Peter Sellers farce “The Party,” one of three times the great British funnyman donned brownface to play Indian characters. What would have happened had Sellers, a comic legend and … Continue reading →

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Movie Review: Cumming and Kin “Drive Back Home” in The Bad Ol’Days for Canada’s Gays

Posted on July 3, 2026 by Roger Moore

“Drive Back Home” is a road comedy with a queer history subtext and a hard, melodramatic flourish saved for its finale. It’s about a prodigal son and an estranged family that he fled the moment he was old enough to … Continue reading →

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Documentary Review: Intentionally forgotten Lebanon — “Do You Love Me”

Posted on June 30, 2026 by Roger Moore

In Lebanon, an opening title tells us, “contemporary history is not taught in schools.” Basically, a half century of intermittent bloody unrest has been erased. The endless Israeli incursions and invasions? The civil war Israel triggered with the refugee dislocations … Continue reading →

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Classic Film Review: Jean-Pierre Melville is one of “Two Men in Manhattan” (1959)

Posted on June 29, 2026 by Roger Moore

Sometimes, the most accurate mirrors we face are held up to us by others. Consider the flood of viral stories about America and those visiting it during the World Cup — the German who sang our praises and found himself … Continue reading →

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Movie Review: “Tom Clancy’s Jack Ryan: Ghost War”

Posted on June 28, 2026 by Roger Moore

These are not the days for “Patriot Games.” The world we live in’s realities long ago outstripped Tom Clancy’s post-Cold War fantasies of a righteous but compromised America and the West and the mythic “surgical strikes” it takes to keep … Continue reading →

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Netflixable? Dios Mio! Dazzling “I Am Frankelda” loses the Plot

Posted on June 17, 2026 by Roger Moore

The cotton tufts of simulated fog that roll into the stop-motion animated terrors of “I Am Frankelda” can resemble hands of the damned frantically reaching up from the depths of whatever lies below. Vividly-colored sets filled with whimsical human (ish) … Continue reading →

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