Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Movie Review: Different century, new setting, same old “Wolf Man”

Posted on January 17, 2025 by Roger Moore

Universal futzed around with rebooting its classic werewolf horror franchise “Wolf Man” for years, and delayed releasing the latest finished film as well. Perhaps they were hoping more time would pass and we’d all forget the many other incarnations of … Continue reading →

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An Empty Cineplex Thursday Night, bad news for Werewolves, Keke et al?

Posted on January 17, 2025 by Roger Moore

My third movie this Thursday, and none of them have stirred any interest from the paying customers. Will “Wolf Man” or “One of them Days” or any of the Oscar contenders opening wide this weekend (“The Room Next Door,” “The … Continue reading →

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David Lynch: 1946-2025, RIP

Posted on January 16, 2025 by Roger Moore

“Eraserhead,” “The Elephant Man,” “Blue Velvet,””Wild at Heart,” “Twin Peaks,” “Mulholland Drive,” “Lost Highway,”  “The Straight Story,” an unforgettable attempt at “Dune” — nobody did weird like David Lynch. The Maverick ‘s Maverick iconoclastic filmmaker died today. He was 78. … Continue reading →

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Classic Film Review: Brit Noir, Warner Bros. style — “They Made Me a Fugitive (I Became a Criminal)” (1948)

Posted on January 16, 2025 by Roger Moore

Here’s a flashy, violent British film noir in the classic Warner Bros. fashion, an on-the-lam thriller set in the postwar U.K. underworld where a war hero pays the price for going wrong. “They Made Me A Fugitive,” the film that … Continue reading →

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Movie Review: Zombie Apocalypse is the least of This Cali Hamlet’s problems — “Hemet, or the Landlady Don’t Drink Tea”

Posted on January 15, 2025 by Roger Moore

The line between a “Z-movie,” a “zero stars” on the one-to-four-star scale, and a very bad one-star C or B movie usually comes down to intent. Did they set out to make a film this awful? Was their motivation or … Continue reading →

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Netflixable? Ex-cop Scrambles Up and Down and all around Paris “Ad Vitam”

Posted on January 15, 2025 by Roger Moore

The Latin title “Ad Vitam” doesn’t translate to “over the top,” which might be the biggest letdown in this brisk — once it gets going — French action picture. A star vehicle conceived by Gullaume Canet, (“All Time High”), a … Continue reading →

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Movie Preview: DeNiro sits down with DeNiro, two mobsters, “The Alto Knights”

Posted on January 14, 2025 by Roger Moore

Bobby D. as Vito Genovese? And Frank Costello? In the same film? Bada BING. Debra Messing, Michael Rispoli and Cosmo Jarvis are in this Barry Levinson film, scripted by the veteran NYC crime reporter turned screenwriter Nicholas Pileggi, who scripted … Continue reading →

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Movie Preview: What terror awaits from “The Woman in the Yard?”

Posted on January 14, 2025 by Roger Moore

The milieu is what’s most novel about this March 28 Blumhouse horror release. Rural, Southern, African American terror remembered in a child’s cryptic rhyme. The trailer is cut in ways sure to raise a hair or two on the back … Continue reading →

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Movie Review: Teen Temptress, Femme Fatale, or Victim? “Nahir”

Posted on January 14, 2025 by Roger Moore

“Nahir,” a brooding, glamourized and sexed-up account of a notorious Argentine murder case, is a mystery thriller that aims for engrossing and immersive that never falls short of quite watchable along the way. Screenwriter Sofia Wilhelmi and director Hernán Gu … Continue reading →

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Classic Film Review: Accept no Substititute for this Suspsense Masterpiece — “The Wages of Fear” (1953)

Posted on January 13, 2025 by Roger Moore

Stanley Kubrick was among the most famous filmmakers to assert that if you can’t tell what’s happening in a film — the emotions and motivations of the characters and the point of it all — with the sound turned off, … Continue reading →

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