Monthly Archives: April 2017

I like to think Kenneth Branagh, who directed the lighthearted first film, and Chris Hemsworth set the tone, here. But that decision was made higher up, to be sure. Different director, but Marvel had to see that light is what … Continue reading →

“Diamond Cartel” bills itself as “The final film of Peter O’Toole.” There are worse ways to draw interest to your blood-soaked, nonsensical Kazakhstan-filmed war between warlords debacle. Probably. But there is no worse way for an actor to make his … Continue reading →

Noomi Rapace is an old hand at making us fear for her, root for her to escape dire circumstances and keep the faith that whoever she’s playing, the woman is intrepid and not to be under-estimated. The one and only … Continue reading →

April is shaping up as its usual placeholder in terms of the Hollywood box office. Big summer movies are just a week or so away, animation and kids’ fare is dominating, and the older audience was thrown a bone this … Continue reading →

Channel surfing any service that specializes in classic films, your eye can’t help but be seized by the merest flash of a film by Max Ophüls. A master of mise en scene and a filmmaker who single-handedly expanded the boundaries … Continue reading →

  Tomás didn’t want to make the trip. But he knew if he didn’t visit his old friend, Julián, “I’d regret it later.” Julián (Ricardo Darín) is an Argentine actor who has made his life in Madrid. And now, that … Continue reading →

A charitable view of the cutesy remake of 1979’s codger caper comedy “Going in Style” is that old age and the way we look at it have changed over the decades. When three frail, lonely old men — Art Carney, … Continue reading →

  There may be more accomplished, more famous “rock” photographers than Mick Rock. But none were born with that perfect and instantly-memorable name. And few could match his stories, gathered from his insider, embedded background in the glam, punk and … Continue reading →

We can imagine greater horrors than anything most movie makers can conjure up visually. It’s the unseen unknown that truly terrifies. And for about 25 minutes, “The Void” lives up to that credo and the promise of its title. We … Continue reading →

Those sexist eunuchs that warped a generation discover “The Future is Female” in “Smurfs: The Lost Village,” a Neil Patrick Harris-free reboot of this insipid franchise. There’s no live-action, Smurfs-in-the-Real-World element to the first Smurfs movie since 2013, just polished … Continue reading →