Tag Archives: movie-review

Netflixable? Dutch underworld’s less of a treat in “Ferry 2”

The Dutch underworld saga of “Ferry” Bouman finishes with something like a flourish in “Ferry 2,” the sequel to a gritty rise-of-a-“Pill King” in the Amsterdam underworld tale. But a lot of what precedes that flash finale is pretty frustrating, … Continue reading →

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Netflixable? Black Women serve in WWII — “The Six Triple Eight”

The only all-Black Women’s Army Corps united to serve in World War II n Europe is fondly remembered in Tyler Perry’s “The Six Triple Eight,” a polished, sentimental and old fashioned picture that points out to the culture at large … Continue reading →

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Classic Film Review: Cary Grant Saunters into the Sunset, in his boxers — “Walk Don’t Run” (1966)

There’s an inspired silliness to the Technicolor bon bon “Walk Don’t Run,” the final film in Cary Grant’s legendary Hollywood career. Surely a mere screenwriter — TV veteran (“Bewitched”) Sol Saks in this case — can’t have been the one … Continue reading →

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Netflixable? Life’s Losers hit the Big-time at “Hotel Bitcoin” — they think

“Hotel Bitcoin” is a screwy Spanish variation on the well-worn “We’ve got the winning lottery ticket” formula. Broke people — the more careless and impulsive the better — find themselves theoretically flush, for once. The “fun” is in seeing how … Continue reading →

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Movie Review: A French prison break that involves “Hunting with Tigers (Tigres et Hyenes)”

“Hunting with Tigers” is a heist picture with two heists — one involving cars and motorcycles, the other a boat. The second heist is a prison break from a heavily-guarded courthouse. The script checks-off the requisite boxes of the genre … Continue reading →

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Movie Review: When the End Comes, Survivalists rally around “Homestead”

By turns paranoid and pollyanna-ish, “Homestead” is a conservative Christian survivalist wish fulfillment fantasy about living through “The End.” The studio that brought us the controversial “Sound of Freedom” serves up an almost bipolar picture packed with MAGA virtue signaling … Continue reading →

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Netflixable? Megan Fox, robotic in her “Subservience”

Saying Megan Fox is well cast as a robotic household “helper” in “Subservience” seems kind of mean. And one really should avoid using the phrase “human sex doll” in describing her role here, or her screen career in general. “Subservience” … Continue reading →

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Movie Review: A Spanish feminist fights sexism and fascism — “The Red Virgin (La virgen roja)”

Groomed for greatness, a writing, philosophizing prodigy by her teens and a young woman nearly 100 years ahead of her time, Hildegart Rodríguez Carballeira was long a forgotten heroine of the Spanish Civil War. That’s how “history” is erased by … Continue reading →

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Classic Film Review: Reckless Pilot Peck makes a WWII Trek across “The Purple Plain” (1954)

By the time he made “The Purple Plain,” Gregory Peck had already made a film that touched on the fear and emotional toll of air combat in World War II — 1949’s “Twelve O’Clock High.” But the text of that … Continue reading →

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Movie Review: Once more to Middle Earth, before “The Lord of the Rings,” “The War of the Rohirrim”

“The Lord of the Rings: The War of the Rohirrim” is a dull placeholder pic rolled out by Warner Animation to keep the company’s intellectual property rights to J.R.R. Tolkien’s Middle Earth current in the public’s mind. Streaming series aside, … Continue reading →

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