Tag Archives: movie-review

Classic Film Review: “Nosferatu: A Symphony of Horror,” Murnau invents the Vampire Movie (1922)

Posted on December 29, 2024 by Roger Moore

It has been many years since I had seen the original “Nosferatu: A Symphony in Horror,” an “inspired by ‘Dracula’” vampire film that truly invented “the vampire movie” when it came out in 1922. In this historic silent masterwork the … Continue reading →

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Netflixable? “Girl Haunts Boy,” a teen romance for tweens

Posted on December 28, 2024 by Roger Moore

Here’s an exceptionally mild-mannered Netflix teen romance built around a couple of cute young leads made “stars” by earlier Netflix outings. Peyton List (“Kobra Kai”) plays a flapper teen who swipes a magic ring and dies in 1928, only to … Continue reading →

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Netflixable? Dutch underworld’s less of a treat in “Ferry 2”

Posted on December 24, 2024 by Roger Moore

The Dutch underworld saga of “Ferry” Bouman finishes with something like a flourish in “Ferry 2,” the sequel to a gritty rise-of-a-“Pill King” in the Amsterdam underworld tale. But a lot of what precedes that flash finale is pretty frustrating, … Continue reading →

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Netflixable? Black Women serve in WWII — “The Six Triple Eight”

Posted on December 21, 2024 by Roger Moore

The only all-Black Women’s Army Corps united to serve in World War II n Europe is fondly remembered in Tyler Perry’s “The Six Triple Eight,” a polished, sentimental and old fashioned picture that points out to the culture at large … Continue reading →

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Classic Film Review: Cary Grant Saunters into the Sunset, in his boxers — “Walk Don’t Run” (1966)

Posted on December 18, 2024 by Roger Moore

There’s an inspired silliness to the Technicolor bon bon “Walk Don’t Run,” the final film in Cary Grant’s legendary Hollywood career. Surely a mere screenwriter — TV veteran (“Bewitched”) Sol Saks in this case — can’t have been the one … Continue reading →

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Netflixable? Life’s Losers hit the Big-time at “Hotel Bitcoin” — they think

Posted on December 18, 2024 by Roger Moore

“Hotel Bitcoin” is a screwy Spanish variation on the well-worn “We’ve got the winning lottery ticket” formula. Broke people — the more careless and impulsive the better — find themselves theoretically flush, for once. The “fun” is in seeing how … Continue reading →

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Movie Review: A French prison break that involves “Hunting with Tigers (Tigres et Hyenes)”

Posted on December 17, 2024 by Roger Moore

“Hunting with Tigers” is a heist picture with two heists — one involving cars and motorcycles, the other a boat. The second heist is a prison break from a heavily-guarded courthouse. The script checks-off the requisite boxes of the genre … Continue reading →

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Movie Review: When the End Comes, Survivalists rally around “Homestead”

Posted on December 16, 2024 by Roger Moore

By turns paranoid and pollyanna-ish, “Homestead” is a conservative Christian survivalist wish fulfillment fantasy about living through “The End.” The studio that brought us the controversial “Sound of Freedom” serves up an almost bipolar picture packed with MAGA virtue signaling … Continue reading →

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Netflixable? Megan Fox, robotic in her “Subservience”

Posted on December 16, 2024 by Roger Moore

Saying Megan Fox is well cast as a robotic household “helper” in “Subservience” seems kind of mean. And one really should avoid using the phrase “human sex doll” in describing her role here, or her screen career in general. “Subservience” … Continue reading →

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Movie Review: A Spanish feminist fights sexism and fascism — “The Red Virgin (La virgen roja)”

Posted on December 15, 2024 by Roger Moore

Groomed for greatness, a writing, philosophizing prodigy by her teens and a young woman nearly 100 years ahead of her time, Hildegart Rodríguez Carballeira was long a forgotten heroine of the Spanish Civil War. That’s how “history” is erased by … Continue reading →

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