Tag Archives: movie-review

Netflixable? WWII Underground Agent “Number 24 (Nr. 24)” tells kids what’s called for when you Fight Fascism

One of the smartest places Netflix has put its international production money is Scandivanian World War II films. A collection of true or “inspired by” true stories have shown us forgotten heroics, sacrifice, treachery and air raids that went wrong. … Continue reading →

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Movie Review: More heists, more Butler and Jackson — “Den of Thieves 2: Pantera”

One hesitates to ever use the phrase “lazy” in describing the epic enterprise that is the making of any major motion picture. But the temptation is there in describing writer-director Christian Gudegast’s reunion with Gerard Butler and O’Shea Jackson, Jr. … Continue reading →

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Movie Review: Donnie Yen punches and kicks for justice as “The Prosecutor”

Martial arts icon Donnie Yen directs and stars in “The Prosecutor,” playing a two-fisted, idealistic Hong Kong cop turned prosecuting attorney. Some of the most fantastic fights in recent screen history, choreographed by Takahita Ouichi and Donnie Yen Stunt Team … Continue reading →

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Movie Review: All the World’s a Gamescape — “Grand Theft Hamlet”

Making art in the middle of the apocalypse is the literal and figurative ethos of “Grand Theft Hamlet,” one of the cleverest “What can we do during lockdown?” pandemic picture projects. A couple of British actors — Sam Crane and … Continue reading →

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Movie Review: Millennials try to buy-in or opt-out of the “American Meltdown”

“American Meltdown” is a comic buddy picture that taps into the deep well of Millennial angst and grievance about a “system” that is finally so broken it doesn’t work for them. At all. Like a lot of fiction and op … Continue reading →

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Classic Film Review: Hopkins is “The Efficiency Expert,” but are Crowe, Collette and Mendelsohn getting the ax? (1991)

Three future stars from Down Under pop off the screen in “The Efficiency Expert,” a delicate, dated and yet timeless fish-out-of-water period piece set in Australia at the birth of the job-cutting “consultant” boom. Toni Collette, impressive and emotional in … Continue reading →

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Classic Film Review: Baby Brian (De Palma) and Baby Bobby (DeNiro) — “Hi, Mom!” (1970)

Brian DePalma’s fourth “experimental” indie feature is a time capsule of New York in decay and political disarray. It’s the movie in which his no budget guerilla filmmaking connected with the zeitgeist, and an audience of the young and the … Continue reading →

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Movie Review: An Estranged Father and Son find middle ground at the “Chicken Coop”

“Chicken Coop” is a drab indie dramedy about dogmatic parents, children who left home to escape that and “bonding” over home repair as they fight over literally everything else. Decent acting doesn’t atone for low-stakes drama, low-heat scenes and dated, … Continue reading →

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Classic Film Review: “Nosferatu: A Symphony of Horror,” Murnau invents the Vampire Movie (1922)

It has been many years since I had seen the original “Nosferatu: A Symphony in Horror,” an “inspired by ‘Dracula’” vampire film that truly invented “the vampire movie” when it came out in 1922. In this historic silent masterwork the … Continue reading →

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Netflixable? “Girl Haunts Boy,” a teen romance for tweens

Here’s an exceptionally mild-mannered Netflix teen romance built around a couple of cute young leads made “stars” by earlier Netflix outings. Peyton List (“Kobra Kai”) plays a flapper teen who swipes a magic ring and dies in 1928, only to … Continue reading →

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