Tag Archives: movie-review

Movie Review: Almodóvar Ponders Death and the Lives Preceding it from “The Room Next Door”

Posted on January 17, 2025 by Roger Moore

In his mid ’70s, it’s only natural that the great Spanish filmmaker Pedro Almodóvar should turn his attentions to reflecting on lives lived, and questions of how one wants life to end with his latest film. But in boiling down … Continue reading →

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Movie Review: Keke and SZA live through “One of Them Days” that’s not quite “Friday”

Posted on January 17, 2025 by Roger Moore

With Moms Mabley, Tiffany Haddish and Mo’Nique as my witnesses, I swear Hollywood could’ve gotten a funnier movie out of Keke Palmer by just setting up a camera in front of her whilst she texts, tweets and blurts whatever comes … Continue reading →

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Classic Film Review: Brit Noir, Warner Bros. style — “They Made Me a Fugitive (I Became a Criminal)” (1948)

Posted on January 16, 2025 by Roger Moore

Here’s a flashy, violent British film noir in the classic Warner Bros. fashion, an on-the-lam thriller set in the postwar U.K. underworld where a war hero pays the price for going wrong. “They Made Me A Fugitive,” the film that … Continue reading →

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Movie Review: Zombie Apocalypse is the least of This Cali Hamlet’s problems — “Hemet, or the Landlady Don’t Drink Tea”

Posted on January 15, 2025 by Roger Moore

The line between a “Z-movie,” a “zero stars” on the one-to-four-star scale, and a very bad one-star C or B movie usually comes down to intent. Did they set out to make a film this awful? Was their motivation or … Continue reading →

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Netflixable? Ex-cop Scrambles Up and Down and all around Paris “Ad Vitam”

Posted on January 15, 2025 by Roger Moore

The Latin title “Ad Vitam” doesn’t translate to “over the top,” which might be the biggest letdown in this brisk — once it gets going — French action picture. A star vehicle conceived by Gullaume Canet, (“All Time High”), a … Continue reading →

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Movie Review: Teen Temptress, Femme Fatale, or Victim? “Nahir”

Posted on January 14, 2025 by Roger Moore

“Nahir,” a brooding, glamourized and sexed-up account of a notorious Argentine murder case, is a mystery thriller that aims for engrossing and immersive that never falls short of quite watchable along the way. Screenwriter Sofia Wilhelmi and director Hernán Gu … Continue reading →

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Movie Review: Wild West Dinklage chases Juliette Lewis into “The Thicket”

Posted on January 12, 2025 by Roger Moore

“The Thicket” is a Western built on archetyepal characters pursuing one another through a forbidding and unforgiving archetypal Western landscape. It’s a wintry fin de siècle “manhunt” for a young woman, and another woman gang-leader named Cut Throat Bill who … Continue reading →

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Netflixable? WWII Underground Agent “Number 24 (Nr. 24)” tells kids what’s called for when you Fight Fascism

Posted on January 11, 2025 by Roger Moore

One of the smartest places Netflix has put its international production money is Scandivanian World War II films. A collection of true or “inspired by” true stories have shown us forgotten heroics, sacrifice, treachery and air raids that went wrong. … Continue reading →

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Movie Review: More heists, more Butler and Jackson — “Den of Thieves 2: Pantera”

Posted on January 10, 2025 by Roger Moore

One hesitates to ever use the phrase “lazy” in describing the epic enterprise that is the making of any major motion picture. But the temptation is there in describing writer-director Christian Gudegast’s reunion with Gerard Butler and O’Shea Jackson, Jr. … Continue reading →

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Movie Review: Donnie Yen punches and kicks for justice as “The Prosecutor”

Posted on January 9, 2025 by Roger Moore

Martial arts icon Donnie Yen directs and stars in “The Prosecutor,” playing a two-fisted, idealistic Hong Kong cop turned prosecuting attorney. Some of the most fantastic fights in recent screen history, choreographed by Takahita Ouichi and Donnie Yen Stunt Team … Continue reading →

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